禪繞插畫藝術的綜合性表現技法之研究

CCUR > College of Arts > Department of Fine Arts > Thesis > Item 987654321/30153

Please use this identifier to cite or link to this item: https://irlib.pccu.edu.tw/handle/987654321/30153

Title:	禪繞插畫藝術的綜合性表現技法之研究 Study of Comprehensive Skills in Zentangle Illustration Art
Authors:	程靜怡 Cheng, Chen-Yi
Contributors:	美術學系
Keywords:	插畫酒精性麥克筆黑白線條禪繞塗鴉 illustration alcohol marker black and white lines Zentagle graffiti
Date:	2015-06
Issue Date:	2015-08-06 14:27:10 (UTC+8)
Abstract:	本論文為程靜怡之創作論述，主要內容在於陳述自身在長達一年之創作論述與影響背景，每一張的插畫創作背後可說是皆反映出自身不同的想像故事、心境變化或生活體驗，以及對時事的諷剌。至於媒材上的使用，則以酒精性麥克筆的創作表現的主軸，加上大量的禪繞風格及黑白線條交錯等元素的注入，描繪出一張張的禪繞插畫作品，筆者藉著禪繞畫達到對於心情、事世感受和內心壓抑的宣洩及嘲諷，並不再拘於過去所受之學院派畫風的限制，轉向自由、隨性的繪畫方向。現今社會中的「人」與「人」之接觸實在是太複雜了，因為日本作家太宰治(だざいおさむ)在其著作《人間失格》中曾表達出「世人的反應無常」之狀態。當然筆者也不例外，在現實生活中總是懼怕說出負面的實情，任何事或是自我內心的黑暗處總是在壓抑著而無法正常地表達出，有時也會因某些私人的因素而開始出現焦慮的心境，為了能展現自我主觀思惟的繪畫藝術，筆者在此一系列創作中，運用了那令人心情放鬆及減緩輕焦慮的禪繞元素作為自我繪畫創作的形式。此論文共分為如下幾個章節：第一章：緒論，說明本次論文之研究主題及介紹創作媒材、使用元素及畫作風格的呈現，並陳述自我創作心路歷程及實驗架構、研究方法。第二章：文獻探討，敘述影響筆者創作之人物，以及自我創作風格和奠定。第三章：自我創作剖析，說明創作題材與自我成長背景，以及媒材選擇之創作歷程。第四章：詳細說明每張作品的內容，以及畫面構圖的發想。第五章：說明本次創作已達成的目的與未來可行性之發展。 This thesis is a discussion of Cheng, Ching-Yi’s creation, with the main content to describe the discussion on her creation and the background of effect up to one year. Each illustration behind the creation can be said to reflect her all different imaginary stories, mood changes or life experience, as well as irony to current events. As for the use of mediums, the alcoholic marker as the spindle of creative expression, plus implanting such element as a large number of Zentagle style and interlaced black and white lines, depict the pictures of Zentagle illustration work. The author, by Zentagle painting reaches the mood and feeling of things, and inner catharsis and ridicule, and therefore no arrests in the past restrictions of academic painting style received, but turns into free and casual direction of painting. The “people” in contact with “people” in the modern society is too complex, as Japanese writer Dazai Osamu in his work No Longer Human (Ningen Shikkaku) had expressed the state of ”impermanent reaction of the world”. Of course, without exception, in real life the author is always afraid to tell the negative truth; anything or the inner dark side is always suppressed and unable to properly express, sometimes will begin to have anxious mood because of some personal factors. To be able to show her subjective thinking of painting, the author in this series of works uses Zentagle element, which makes us feel relaxed and slow down light anxiety, as the form of self-creation painting. This thesis is divided into the following chapters: Chapter I: Introduction. Description of the research theme of the thesis, introduction of creation mediums, elements used and presentation of painting style, as well as statement of self-creation mentality and experimental architecture, and research methods. Chapter II: Discussion on the literatures, description of the characters influencing the author’s creation, as well as self-creative style and its establishment. Chapter III: Analysis of self-creation, explanation of creative themes and self-upbringing background, as well as creative process by choosing mediums. Chapter IV: Detailed description of the contents of each work, and the concept of the composition of the picture. Chapter V: Description of the purpose of this creation which has been reached, and the feasibility of future development.
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