以《論普普藝術與艷俗藝術表現技法之裝飾性及其繪畫表現形式》作為撰寫主題的目的，在於以這兩種藝術的創作技法及藝術風格頗類似，可以用來探討文化與室內裝飾之關聯性，以及其對文化層面的衝擊性。大眾文化隨著經濟的興起和快速地發展，改變了往昔舊有的環境氛圍，進而創見了一種新文化流行趨勢和新的藝術價值觀。筆者期冀從普普與艷俗藝術中尋找出一些繪畫創作元素，進而加以研練操作，藉以尋找出普普藝術與艷俗藝術之創作元技法，全論文共計五個章節，其要點分述如下：
一、基本論述之研究
第一章「緒論」簡述專題研究之動機與目的，以及論文採用的研究方法、研究範圍與架構。
二、主要的研究內容
第二章介紹普普藝術與艷俗藝術的畫及其表現技法，陳述兩種藝術以平塗及鮮艷色彩置入於幻境中之配置法。
三、研究成果之論述
第三章「自我創作的分析與闡述」：筆者依據前面幾章的研究心得，作自我創作的實驗，並就個人的創作理念、主題、內容形式，逐一地介紹、分析，第四章「個人創作作品賞析」：在接受了普普藝術與艷俗藝術的繪畫創作影響之後，再以自我創作的《幻境》系列作品，圖文並茂式地加以詮釋之，出自我創作的表現手法、色彩運用及畫面的架構。第五章「結論」：針對本次的研究心得，以及自我創作上的內省與期許，做一總結。
“The Decorative Features of the Expression Techniques and the Painting Expression Styles of Pop Art and Gaudy Art”represent the topic of this research. Under the premise that the creative techniques and artistic styles of these two art forms are quite similar, the author aims to explore the connectivity between culture and interior decorating as well as their impact on the cultural dimension. Following the surge and rapid development of national economies, mass culture has transformed traditional environmental auras of the past and thereby created new cultural and fashion trends as well as a new artistic value system. The author aims to identify certain creative elements in the painting techniques of Pop and Gaudy Art and research, practice, and master them in an effort to determine the core creative techniques of Pop and Gaudy Art. This thesis is divided into five chapters, which cover the following main points：
I. Basic discourse and analysis
The first chapter represents the introduction and provides a brief description of the research motivation and purpose as well as the adopted research methods and the research scope and framework.
II. Main research findings
The second chapter introduces Pop Art and Gaudy Art paintings and their expression techniques. The chapter describes the method of arrangement of flat and bright colors in the creation of surreal worlds employed by these two art forms.
III. Presentation of research results
The third chapter is titled “Analysis and Description of Personal Creative Work” and deals with the author’s own creative experiments based on the research insights stated in the preceding chapters. The creative concepts, themes, and content types of the author’s own work are introduced and analyzed in turn. The fourth chapter is titled, “Appreciation of Personal Creative Works” and it presents the author’s own creative expression methods, color utilization, and artistic arrangement in his “Surreal Worlds” series of works after the exposure to Pop Art and Gaudy Art painting techniques through a combination of text and images. The fifth chapter represents the conclusion and provides a summary of the research insights and the introspection and aspirations in the author’s own creative work.
