| 摘要: | 筆者於民國104年6月28日假蘆洲功學社音樂廳舉辦《王馨茌低音管獨奏會》，將以獨奏會演奏樂曲之一聖桑低音管奏鳴曲作品編號168作為此研究內容。此樂曲在眾多低音管樂曲中擁有指標性之地位
，同時，吸引不少研究者研究此樂曲。筆者將由另一個新的角度切入，以聖桑創作此樂曲背景及該時期之音樂時代風格對此作品之影響作分析，另針對演奏者演奏此樂曲之詮釋方式逐一說明。
本文共分為五大章節，第一章說明研究動機及方法、步驟，第二章針對聖桑習樂與創作背景探討，進而解析該背景對於此樂曲之影響；第三章為本樂曲曲式分析；第四章為演奏本樂曲之詮釋方式說明；第五章為本研究之總結結論。
I held the “Hsin-Chih Wang Bassoon recital” on 2015 June 28th at KHS Luzhou concert hall, playing Sonata for Bassoonand Piano in G Major, op. 168.as the content of this research.
In many bassoon music, this song has a indicative position, attracting many researchers to study it. This paper will analyze with a new angle including the background of creating and the music style of that time. On the other hand, I will analyze how the music is play and interpreted.
This essay will be divided into five chapters, the first chapters explains the motivation and research methods, procedures. The second chapter discusses the music learning process of Saint-Saëns and the background of music creation. The third chapter is analysis of this music. The fourth chapter is explain of how the music being played and interpreted. The fifth chapter is the summary and conclusions of this article. |
