博豪斯拉夫‧馬悌努（Bohuslav Martinů, 1890-1959）是二十世紀捷克作曲家，他的生長年代橫跨了十九至二十世紀，因文化的新潮不斷湧出，他的音樂思想跟隨著不斷創新；而長年旅居國外，深受外國文化的影響，他的音樂作品不受限制，不但音樂素材多元，音樂種類多樣化，創作手法更是豐富且日新月異；但也因社會動盪，被迫居住在異國不得返鄉的他，在作品中時常融入捷克音樂的旋律及民族風格，富有深厚的思鄉情懷，以展露出他濃濃的鄉愁。
本論文將探討馬悌努的《第一號長笛奏鳴曲》，也是他唯一的一首長笛奏鳴曲，本文主要研究內容共有五個章節：第一章為緒論；第二章為作曲家音樂創作風格介紹，作品《第一號長笛奏鳴曲》之創作背景，以及國民樂派捷克的音樂傳承；第三章包含奏鳴曲簡述，與《第一號長笛奏鳴曲》分別為三個樂章做樂曲分析；第四章針對《第一號長笛奏鳴曲》分別為三個樂章做演奏詮釋探討；第五章為結論，總括以上章節論述，提出在演奏樂曲上的詮釋與心得，為本論文最後的結論。
期盼透過此研究能提供讀者對於此長笛作品，以及其他相關資訊有更深入的認識，也能使筆者在演奏詮釋時能更具完整性，更深入貼近馬悌努的音樂創作精神。
Bohuslav Martinů(1890-1959) was a Czech composer of 20th century, he was in the transition between 19th and 20th century. His constantly innovative musical ideas followed by the changes of the culture. There are not only various materials and styles, but also plentiful manners in Martinu’s works due to living abroad for ages. Besides, during the period of the World War, Martinu left Czechoslovakia for foreign countries and produced many works with the melodies of Czech folk songs, nationalist styles and nostalgic emotion.
This thesis will research in the“First Sonata for Flute and Piano”which is the only flute sonata by Martinu. There are five main chapters：The first chapter is an introduction. The second chapter will discuss the music style of Martinu, the background of this piece, and the development of Czech Nationalism. The next two chapters will explain the term of Sonata, analyze the piece first, and then interpreting the piece in the following chapter. Finally, there will be the overall conclusion in the last chapter.
Look forward to having a deeper understanding about this piece and the topic, refining the interpretation of the performance, and knowing the spirit of Martinu’s music more through this research.
