| 摘要: | 瑟傑‧普羅柯菲夫 (Sergei Prokofiev, 1891-1953)，俄國偉大的作曲家，在1942至1943年完成了《D大調奏鳴曲》(作品94)，初稿為長笛版本，後因大衛‧歐依斯特拉赫 (David Oistrakh, 1908-1974)的建議與協助，在1944年改編為小提琴與鋼琴版本，並且於同年6月以此編制首演，在莫斯科演出，為普羅柯菲夫著名的兩首小提琴奏鳴曲之一。
筆者本篇研究共分五章，並依照普羅柯菲夫《D大調奏鳴曲》國際板(International Music Company)在1958年所出版的長笛版本，來探討作品結構之分析與演奏詮釋。第一章為緖論，說明研究動機及目的，研究範圍；第二章為作曲家生平和創作背景；第三章為樂曲分析，使筆者能深入解析樂曲的結構，更加瞭解作曲家的作曲風格；第四章為演奏詮釋；第五章為結論。
從作品中提出的各種觀點以及分析樂曲結構，希望對於演奏者的詮釋方向能有更深入的體會，使演奏時能夠更貼近作曲家所要傳達的意境及演奏風格。
Sergei Prokofiev(1891-1953), is a great Russian composer who composed D Major Sonata (OP. 94) from 1942 to 1943. The sonata was originally written for flute, but with the recommendation and assistance from David Oistrakh (1908-1974), it was revised for violin and piano at 1944. In June of the same year, the revised sonata was performed in Moscow with a huge success and has become one of his two most famous violin sonatas by Sergei Prokofiev.
The thesis consist five chapters and adopt the Prokofiev’ s “D Major Sonata for Flute and Piano” published by International Music Company in 1958 to explore the structure analysis of this flute version and a further interpretation.
Chapter 1 is the introduction of study motivation, deriving objective, and research scope. Chapter 2 is devoted to illustrate the life of the composer and his creative background. Chapter 3 is an analysis of the flute sonata, which renders an in-depth analysis of the structure of the sonata so as to get a complete grasp of the composer’s idea. Chapter 4 is an interpretation. Chapter 5 is the conclusion of this research.
In terms of the various perspectives and the analysis of the structure, a very profound and deep understanding of the composer’s idea would be derived. In such a way, the musician who plays this sonata can better achieve the composer’s desired artistic style and conception. |
