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    請使用永久網址來引用或連結此文件: https://irlib.pccu.edu.tw/handle/987654321/29937


    題名: 《要說的都在這裡》作品創作報告
    "Here Are All the Words Want to Say"Report of Performance Creation
    作者: 黃妤榛
    Huang, Yu Chen
    貢獻者: 戲劇學系
    關鍵詞: 
    木焱
    蔡晴丞
    高俊耀
    集體創作
    Poetry
    Mu-Yen
    Ching-Cheng Tsai
    Jyun-Yao Gao
    Collective Creation
    日期: 2015-06
    上傳時間: 2015-07-28 15:04:30 (UTC+8)
    摘要: 本文旨意在說明《要說的都在這裡》馬來西亞華文文學劇場系列演出──《臺北,今夜我跟你睡》、《我是一件活著的作品(Readymade)》兩齣以同位馬來西亞華語詩人──木焱,之《臺北》詩集為題材,由蔡晴丞與高俊耀兩位導演,帶領五位演員,同以《臺北》詩集為基礎集體創作,在由古蹟改建的「齊東詩舍」所排練發展的兩部不同風格演出。
      本次製作,兩位導演各自提出一套表演概念,做為將「詩」轉化為劇場演出的方法,分別為蔡晴丞──「動作劇場」;高俊耀──「詩感劇場」,本文將論述兩者概念,以及由這兩種不同方式發展出之作品與表演風格差異。
      筆者以賈克.樂寇《詩意的身體》文字與表演間的轉化概念、表演方法,與鈴木忠志《文化就是身體》中的劇場生活觀和「足」的表演觀,作為個人將文本轉換為表演,以及表演方法尋找與思索的參考。並記錄集體創作之排練過程、演出現場狀況,與個人表演體悟;探討這兩部作品的個別中心思想、表演方法,比較兩部演出之表演風格差異。以此演出,回觀表演學習路程,將本次演出的創作與排練過程,所使用之表演觀念與這幾年所學相映,統整表演學習之心得與收穫作為反饋。
    This article will for that "To Say In Here," Malaysian Chinese Literature Theater series of performances ── "Taipei,I Sleep With You Tonight", " Readymade" these two work's central idea are both created by Malaysian Chinese poet Mu-Yen, theater performances and the creative process of performing a method ── "Taipei" as the theme of poetry. By two directors ── Ching-Cheng Tsai and Jyun-Yao Gao led five actors, the same with “Taipei” as the basis for collective creation and creation two different styles of performances in converted by the monuments “Qi-Dong Poetry Salon”
    The production each of the two directors put forward the concept of performance, as the "poetic" approach into theater. Respectively, Ching-Cheng Tsai──”Movement Theater”, Jyun-Yao Gao──”Sense of Poetry Theater”. this article will discuss the two concepts, and by these two different ways develop work and performance style differences.
    I used Jacques Lecoq “Le Corps poe’tique” into the concept of text and performance between the performers how to render poetic method, and by Suzuki Tadashi “Culture is the Body” view of life in the theater and performance concept "foot" as individuals find and thinking about how to convert text to show, and reference of performing method, recording rehearsal process of collective creation, live performances situation, and individual performances realized; discussion individual central idea of these two works, collective creative process and the methods of acting, and performing style of comparison between the two performances. Back view of learning from the past few years, this show will display the concept of creation and rehearsal process. The use of what they have learned in recent years and matched, the whole system performance as a learning experience and will gain feedback.
    顯示於類別:[戲劇學系所] 博碩士論文

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