| 摘要: | 《Loma`ita（羅馬亦大）-我們的家》之創作主旨，意在探討兩種不同的文化價值，如何在迴異的邏輯概念中找到對話的可能性。多元社會是台灣的現況，本劇以台灣原住民阿美族為主體，透過部落年輕人阿蒂瑪斯在現實環境的場域中，必須離鄉生活的視角，描述在主流文化的衝擊下，感受原住民文化、語言及風俗習慣逐漸產生傳承、流失與被同化的危機感。劇中主角在都市生活遭遇的文化衝擊及挫敗裏看見生命價值，最後憑藉對自身部落文化的追尋，找到一條自我文化認同的回家之路。
本劇依舞台劇劇本方式編寫，非寫實的風格，包括意象歌舞、夢境、多媒體等形式手法表現。本劇劇情發展邏輯，不完全依照時間的進行順序，而是以主角阿締瑪斯所經歷事件的心裡意象為主，用非線性的戲劇結構完成敘事。預估演出時間為一百二十分鐘。
創作報告部分共分四章，第一章敘述創作與研究的動機、目的、方法與預期效果。第二章以台東阿美族小馬部落為研究主體，探討本劇文化實質內涵，以阿美族音樂、阿美族社會組織—男性年齡階級(Mikapotay)、豐年祭、阿美族文化禮俗等為背景，進行研究。第三章創作方法，說明本劇題材選擇、創作的主題及意涵、情節安排。第四章依本劇人物設計及歌舞安排兩大項說明表現技巧，其中人物設計又以角色塑造、人物性格、以及主要腳色人物設定進行說明；另外本劇歌舞來源涵蓋部落傳統歌舞、現代創作原住民音樂、現代新編歌舞，筆者將針對本劇歌舞，進行內涵分析，並配合圖片加深文化傳達的意涵。
The main purpose of creating "Loma`ita–Our Homeland", intends to explore two different cultural values, studying the possibility of dialogues in such different logical concepts. Taiwan is considered as a multiracial society. The play taking Amis, the indigenous people of Taiwan as subject, through the perspective of the character Adiemas, a teenager who lives in a reality which forced him to leave his home for living, describes the impact of mainstream on culture, language and custom of the indigenous people which causes a danger of vanishing and being assimilated. The main character has seen the value of life through the culture shock and frustration he encountered, finally finding out a way home of self-identify along the way tracking his tribal culture.
The play is written in “stage play” format, classified as non-realistic style, including singing and dancing of images, dreamland, multimedia and other forms of expression. The play uses stream of consciousness constructing the inner emotion of soul. The plot development is not entirely in chronology order and it is according the flow of images of incidents happened on the main character Adiemas, using non-linear structure to complete the story. The approximate time duration of the play is 120 minutes.
The creation report is divided into four chapters. The first chapter states the motivation, goal and expected results of this creation and research. The second chapter taking Piohu tribe of Amis people in Taitung as the subject, studies the cultural substance of this play based on the music, social organization - social class of males based on ages (Mikapotay), Harvest Festival, cultural rituals of the Amis. The third chapter- creation methods, states the choice of the subject, theme and plot in the play. The forth chapter explains the performance techniques in two parts which are the design of characters and “singing and dancing ＂in the play. Within the design of characters, it is explained in characterization, characteristic and setting of the main characters. The “singing and dancing” part includes the traditional songs and dances, modern music of indigenous tribe, new created modern songs and dances. The researcher will conduct an analysis of the substance aimed at the part of “dancing and singing”, and pictures are used to deepen the understanding of the meaning conveyed from the culture. |
