本論文以貝多芬兩首c小調鋼琴奏鳴曲之樂曲分析與詮釋為主題，選擇以作品十之一與作品十三《悲愴》為研究對象，全論文共分五章：第一章為緒論，內容包含研究動機與目的及研究範圍與方法；第二章研究貝多芬的生平及他的音樂創作特點與風格，並歸納出貝多芬早期鋼琴奏鳴曲之特色；第三章為貝多芬鋼琴奏鳴曲作品十之一之樂曲分析與演奏詮釋；第四章為貝多芬鋼琴奏鳴曲作品十三《悲愴》之樂曲分析與演奏詮釋；第五章綜合以上討論，對貝多芬的創作背景與風格，以早期鋼琴奏鳴曲之特色及樂曲分析與詮釋，提出結論。
This study will focus on Beethoven’s piano sonatas Op. 10 No.1 and Op.13 “Pathétique”. There are five chapters in this paper.
The first chapter is an introduction. It includes research motivation and purpose, scope of the study and methods.
The second chapter explores the life and music of Beethoven and his style, and summarize the characteristics of Beethoven's early piano sonatas and their impact on the future generations.
The third chapter is the analysis and interpretation of Beethoven’s piano sonata Op.10 No.1.
The fourth chapter is the analysis and interpretation of Beethoven's piano sonata, Op.13 Pathétique.
The fifth chapter is the conclusion, integrating Beethoven's creative background and style with the characteristics of the early piano sonatas and their analysis and interpretation.
