中阮曲《滿江紅》與《臨安遺恨》脈絡關係之探討

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题名:	中阮曲《滿江紅》與《臨安遺恨》脈絡關係之探討 The Contextual Analysis on Works of Zhongruan,“Man Jiang Hong” and “Lin An Yi Henn.”
作者:	陳尉娟 Chen, Wei-Chuan
贡献者:	音樂學系中國音樂組
关键词:	中阮《滿江紅》《臨安遺恨》岳飛林吉良何占豪楊蔭瀏黎錦暉改編曲協奏曲獨奏曲 Zhongruan ''Man Jiang Hong'' ''Lin An Yi Henn'' Yue Fei Ji-Liang Lin Zhan-Hao He Yin-liu Yang Jin-hui Li transcription concerto solo
日期:	2014-12-24
上传时间:	2015-02-05 13:28:40 (UTC+8)
摘要:	《滿江紅》、《臨安遺恨》此兩首樂曲的曲名，不禁使人想起岳飛一生盡忠報國讓人感到熱血激昂的愛國故事，與晚期遭奸人所害被迫入獄令人悲憤的故事。然而此兩首阮曲有著同樣的故事題材，卻在訴說著岳飛不同時期的兩個故事；有著相同音樂素材（旋律），但卻有著不同的音樂風格。此兩首樂曲共同的音樂旋律由何而來，其旋律的歷史來由究竟為何？兩首樂曲《滿江紅》與《臨安遺恨》各自創作的背景與其演奏的技法、詮釋手法為何？然而又是什麼樣的原因使兩者旋律相同卻擁有迥然不同的音樂氛圍？希望藉由此研究使其演奏詮釋，亦能貼近創作者之創作意念與加入筆者在初淺的研究後之所得，使樂曲能保有原創作者之意念與融合筆者之個人內心所感與詮釋手法。 The titles of the works, “Man Jiang Hong” and “Lin An Yi Henn,” remind people of Yue Fei’s history of fighting the national enemies in his early life and sacrificing himself for the country when the corrupt politician entrapped him in the late years. However, though having the same narrative material, these two works tell the different periods of Yue Fei’s life. Having the same melodies, they possess different styles of music. What is the origin of this melody and what is the history of this origin? What are the methods of performing the works with different backgrounds and skills? Most of all, why do the two works have the same melody while create the different lyrical atmosphere? Hopefully with this research I will move closer to the author’s intention, which may be combined with my perceptions through the performance. The combination can thus be faithful to the original creation.
显示于类别:	[音樂學系所] 博碩士論文

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