| 摘要: | 陝西的地方音樂,橫越了八百里秦川的風土人情,也滲透了黃 土高原的壯闊與淒美,更是整個陝西地區樸實生活、豪放性格的寫 照;笛子曲《秦川抒懷》與《陝北四章》富含了地方著名的戲曲素 材「秦腔」,還有民間人民喜愛的「二人台」小戲與廣泛被傳唱的「信 天游」山歌,豐富展現地方的特色。本文將會先從這兩首笛子樂曲 的這三大創作素材作概述與音樂演奏特性的統整,並進而以此分析 兩首樂曲;音符勾勒出山巒的綿延,也描繪出土地的浩瀚,節奏仿 效出地方人民灑脫的性格與說唱的語調,情感的訴說,深刻地進入 與連接人心,讓那方與這方彼此相印。樂曲橫跨了整個地區,讓演 奏者與聆聽者遨遊在陝西,演繹著角色,置身在故事。
Xaanxi folk music covers the local customs and practices of the vast Qinchuan, channels the magnificence and pathos of the Loess Plateau, and portrays the down-to-earth life and liberal characteristics of Xaanxi. Fully demonstrating local characteristics, the dizi pieces Air of Qinchuan and Four Movements of Shanbei incorporate the elements of the famous regional Qinqiang operas, the much loved “Errentai” dramas (song-and-dance duet of Inner Mongolia), and the widely sung “Xintianyu” mountain songs (a folk music style from Xaanxi province). This paper introduces the three major elements and summarizes the performing features of the two dizi pieces to further analyze them. The notes outline the stretches of mountains and depict the vastness of land. The rhythms imitate local people’s unaffectedness and the intonations of narrative and musical performance. The emotional articulations in the pieces deeply enter and closely connect human hearts, evoking mutual understanding between people in different places. The images of the pieces extend across the entire region, affording players and listeners to travel in Xaanxi in their mind as if they were playing the roles in a story. |
