| 題名: | 一九四零年代後期的穆旦：內戰、政治與詩歌
Mudan in the Late 1940s: Chinese Civil War, Politics and Poems |
| 作者: | 李章斌
Li, Zhang-Bin |
| 貢獻者: | 中文所 |
| 關鍵詞: | 穆旦
國共內戰
歷史觀
超越性
Mudan
Chinese Civil War
views of history
transcendence |
| 日期: | 2010-10-01 |
| 上傳時間: | 2015-01-29 11:27:52 (UTC+8) |
| 摘要: | 本文考察重要的漢語詩人穆旦1940年代後期的創作與其時的內戰、政治思潮等議題的關聯性。穆旦對於國共混戰的局勢有著清醒而沉痛的反思，他並沒有將戰爭定性為「人民－專制」的二元對立，他已經察覺到了將來的中共的政權猙獰面目，因而對混戰雙方表現出整體性的拒絕態度，因此他筆下的戰爭也沒有像大部分作家那樣有一個光明的前景。穆旦這種歷史觀和政治態度，引發了其詩歌對1940年代後期的社會現實與歷史處境的超越性的探尋，歷史在其詩中呈現出一種終結的狀態：它並非是線形前進的進化論式的歷史，而是被「現在」之狂流牽引著螺旋般下沉的歷史。這些詩歌在現代漢語詩歌史上具有獨特的文學史與思想史意義。
This article concerns the relationship between the poems of Mudan and the issues of Chinese Civil War and politics in the late 1940s. Mudan has a dolente and sober reflection on the situation of the intense civil war in China, and he does not consider it as a binary opposition between ”People” and ”Tyranny”. Moreover, he has already noticed that the incoming governance of the Communist Party of China is worse than the existed government, so he has no good felling towards both sides in the war. The war in his poems has no delight prospective as in other contemporary works. Such historical and political views trigger the transcendental inquire into the reality and historical situation in the late 1940s in Mudan's poems. History is depicted in these poems as kinds of termination, a sinking thing dragged down by the turbulence of ”Now”, instead of being pulled forward as described in the theory of evolution. Such poems of Mudan have a great significance in the history of Modern Chinese literature and thought. |
| 關聯: | 中國文化大學中文學報 ； 21 期 (2010 / 10 / 01) ， P109 - 125 |
| 顯示於類別: | [中國文學系博士班碩士班] 學報-中國文化大學中文學報
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