莊書以謬悠、荒唐、無端涯言說，開顯其恣縱不儻之視域，透過卮言、重言、寓言敘述模式，闡發齊物逍遙之道境，其文本多處異文，同論一理，互為正文的書寫策略，與法哲德希達以時間不斷延宕、空間不斷變異的延異－符號自由遊戲與運動的解構策略，頗有異曲同工之妙，卻又有異；其首先揭櫫事物對立之理，進而翻轉僅是二元對立延異、意義延異的遊戲，全面構築超越延異的超延異策略互文書寫。因此，本文試以其寓言故事之互文書寫，探究《莊子》內七篇文本構築逍遙無為精義的超延異策略，並兼論其與德希達延異解構之異同。
The Book of Zhuang Zhou displays its unbridled vision by using dictions characterized by absurdity and boundlessness. It expounds the philosophy of Qi-wu 齊物 (all beings are equal) and Xiao-yao 逍遙 (carefreeness). through the narrative mode of fables and recurrent wordings. The intertextual writing strategy of Zhuang Book shares some similarities with French philosopher Jacques Derrida’s difference theory-time constantly defers and space constantly differs. And yet there are dissimilarities between Zhuang Zhou and Jacques Derrida. ＂The Book of Zhuang Zhou＂ first unveils the the theory of binary opposition among things and then goes beyond the theory of differance of binary opposition and finally comes to its own super-differance writing strategy. This article attempts to explore and discuss the similarities and dissimilarities between the super-differance strategy exemplified in the the text of the seven chapters in the inner section of ＂The Book of Zhuang Zhou＂ and the difference Deconstruction strategy of Jacques Derrida.
