| 摘要: | 本文主要從賈平凹於2005年出版的長篇小說《秦腔》作為探究與論述的核心，試圖從《秦腔》裏的鄉土寫作尋找其形式的轉變與意義。論文概要如下：第一部分，包括回溯《秦腔》與近期鄉土寫作的關係、在《秦腔》前後發表的鄉土寫作其形式與主題概覽，及賈平凹個人寫作風格的丕變，還有對《秦腔》瑣碎敘事的脈絡化解讀。第二部分，包含《秦腔》的敘事形式與主題探討，涵括其敘事角度、及其所涉及的形象塑造與意義探究，以引生、夏風作為文本中的瘋子、智者兩相對立的形象，所衍伸而出的城鄉文化、新舊價值觀的對照，甚至以引生作為文本深層隱喻中的清風街瘋子／智者乃至知識份子一體兩面的載體之論析。第三部分，探討《秦腔》中最後一位擁抱土地，並對土地懷有倫理意識的夏天義其農民思想。包括典型農民與土地之間的紐結、夏天義與土地的關係，及從其激進的土地倫理探討農村社會中逐漸消失的農民性，還有自從「鄉土中國」以來的宿命等內容。第四部分，從《秦腔》的敘事形式與主題意義，析論近期賈平凹的鄉土寫作，在其既有創作形式中具有的延變意義，及這部作品在作者特意選擇的敘事形式下揭示的若干議題，包括以三個標題突顯的意義分析，作為《秦腔》所樹之碑銘何在的探察。
The purpose of the study intends to discuss the change and the meaning of Jia Ping-Ao's the near future writing style in his long novel Qin Qiang. (2005). Four sections are included in the study. First, the relationship between the novel Qin Qiang and Jia Ping-Ao's rural writing styles is reviewed. That is, the changes in Jia Ping-Ao's rural writing style and the theme selection displayed in his writings before and after Qin Qiang are compared, which include the analysis of the trivial narration in the long novel of Qin Qiang . Second, the narrative perspectives on the two characters Yin Sheng、Xia Feng, and the image construction and meaning exploration brought by the two characters are discussed. For example, the two characters standing for the insane and the wise respectively elicit the reflection and comparison of two values: new and old or urban and rural cultures. Third, the destiny of the rural China and the disappearance of the Chinese farmers' essence are explored via describing the last farmer's aggressive and ethical feeling for the earth. Finally, the narrative styles in Qin Qiang and the themes expressed therein are examined by analyzing Jia Ping-Ao's recent writing on local stories with intended narrative styles on specific issues. |
