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請使用永久網址來引用或連結此文件:
https://irlib.pccu.edu.tw/handle/987654321/28429
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| 題名: | 蒲浩明家族雕塑藝術探討
On the Sculpture Art of Pu, Hao Ming Family |
| 作者: | 曹水英 |
| 貢獻者: | 美術學系 |
| 關鍵詞: | 蒲浩明
雕塑
蒲添生
蒲宜君 |
| 日期: | 2014 |
| 上傳時間: | 2014-10-07 09:27:33 (UTC+8) |
| 摘要: | 本文主要探討蒲浩明家族的雕塑藝術及其創作理念，蒲浩明畢業於中國文化大學美術系，父親蒲添生為留日前輩雕塑大師，女兒蒲宜君是英國肯特藝術暨設計學院畢業的新銳雕塑家。一個家族有三位雕塑家，這在台灣誠屬罕見。蒲浩明從小生活在一個充滿藝術氣息的環境中，也遺傳了家族世代的藝術基因，因此，在其藝術的風格上表現出縝密的思惟及獨特的創作理念。女兒蒲宜君也步其後塵，成為一個新銳的雕塑家。筆者因為喜歡雕塑藝術，也曾看過蒲浩明及其家人的許多公共藝術提案及聯展，發覺他們的創作來自不斷的自我挑戰與超越。蒲浩明的作品，除了受到蒲添生古典寫實的人體雕塑風格的影響外，他也藉著留學歐洲的不斷的摩寫與訓練，同時也受到當代藝術思潮的衝擊，形成非常獨特的個人風格。他的雕塑藝術不僅僅融合東西文化的精髓，他也將台灣的雕塑藝術帶入一個新的風潮，因此筆者認為蒲浩明家族的雕塑藝術，值得深入探討。緣於此，筆者著手收集整理蒲浩明家族雕塑相關資料，並分析三位的藝術創作歷程。希望藉由土地與人文的情感，深入探討，使正確之史料得以保存，並供日後研究者作為參考。
This paper mainly focuses on the sculpture art and the creative principles of the family of Pu, Hao Ming. Pu, Hao Ming, whose father was master sculptor, Pu, Tian Sheng with strong Japanese inspiration, graduated from Fine Arts Department of Chinese Culture University. His daughter, Pu, Yi Jun, is a new force in the modern art scene with a degree from Kent Institute of Art & Design. It is quite rare in Taiwan to have three sculptors across three generations within a family. As a result, Pu, Hao Ming grew up in a family with strong artistic environment and has inherited the creative genius within the family. He demonstrates meticulous trend of thoughts and unique originality; his daughter has also followed his footsteps as a rising star in the field of sculpture. I have seen many joint exhibitions and various art proposals in the public space of the Pu family and observed continuous self-challenge and progression. Besides influence of the classical realism style from his father, Pu’s unique personal style is the result of his study and training in Europe and contemporary movements plus relentless practice and training. He not only combines the essence of East and West, but also brings a new wave to the sculpture community in Taiwan. Consequently, the sculpture art of Pu family deserves further investigation and research and I have started collecting relevant information for the Pu family’s sculpture and analyze the creative history of the three artists with respect to their attachment to the land of their hometown and humanity. Hopefully the correct historical data and artifacts can be fully discussed, preserved, and as references to future studies. |
| 顯示於類別: | [美術學系所] 博碩士論文
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