| 摘要: | 我國水墨繪畫在華夏民族文明發展上，扮演著領導和帶動的地位，水墨藝術之美，更是我們民族智慧的璀璨結晶，和悠久歷史文化的核心，是我國民族精神文明的一部分。
分析我國水墨畫在表現「虛實相生、無畫皆成妙境」，水墨畫的格調高下不在形式，而在意境。格調是指人的精神境界。說明宗教、思想、人生觀、哲學、道德品格、學問經歷、性格、聰明才智、審美內涵等，都與繪畫格調有關。藝術家的創作就是描繪自己，有了真性情，才會有真繪畫，有了大智慧，才能有新創建，即所謂「人畫相彰,大化無痕」。
強調今天的水墨山水所要抒發的是當前世代的思想感情，而非傳統時代古人的思想情趣。應該在傳統的筆墨基礎上，大膽的賦予筆墨新的生命，大膽的尋找新的表現形式，才能適應新時代的描繪和感情的抒發。
本論述之作品顯示，筆者山水風格從傳統入手，結合新世代表現技法，呈現「新文人畫」的嶄新風貌，期待在當代畫壇中能創作出激情和豐富的個人語彙；啟迪自我能在今後的藝術領域裡邁出穩健、豪邁的步履。期望自己的水墨創作，能出自傳統但不拘傳統，來自大自然又能超越大自然。在筆墨技法方面，能夠運用傳統筆墨，添加新媒材的方式，表現出緊實而生動大化的山水意象，元氣淋漓耀然於紙上。
Chinese ink painting plays a leading role in the development of our culture, which the aesthetics of ink paintings lies in the center like a diamond . It is an essential part of our culture.
Ink paintings are the manefistation of the idea of "vacuousness and concreteness are born of one another, unpainted areas constitute wondrous scenes." The performance of ink paintings is valued by the painters’ self-cultivation demonstrated in the atmosphere they create as opposed to style. Their self-cultivation refers to their mental and intellectual maturity, which includes religious experiences, ideas, life, philosophy, moral character, learning experiences, personality, intelligence, aesthetic insights, etc. are concerned with the painting style. Painters are what they paint. Creative artists who portray themselves with their true selves, know the art of painting. Only with great wisdom, can one know how to create.,As the saying goes, “artists and their works are mutually beautifying; no trace can be seen in great paintings.”
Today’s ink paintings, however, seek to express thoughts and feelings of our time, rather than personal feelings. Therefore, we should give new life to ink paintings based on tradition. We should be daring to find new forms of expressions in order to adapt to the new era, depict and express properly.
The creative works under discussion indicate that the author started painting from the traditional landscape style, and combined techniques of the new generation, showcasing the spirit of "new literati paintings." It is hoped that these works can bring passionate and rich vocabulary to contemporary arts. The author expects that he learns from the tradition and the nature and reaches out to a new level. In terms oftechniques, he adds new media to traditional ways of painting to present vivid landscape imagery.
In addition to exploring the theoretical basis for discussion and analysis of the the motives behind the works, the thesis looks into the changes found on along the artist’s way of painting and discusses the influences. Meanwhile, the thesis analyzes the composition and style, with work material aided analysis as evidence. |
