文化大學機構典藏 CCUR:Item 987654321/28366
English  |  正體中文  |  简体中文  |  全文笔数/总笔数 : 46965/50831 (92%)
造访人次 : 12750454      在线人数 : 480
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
搜寻范围 查询小技巧:
  • 您可在西文检索词汇前后加上"双引号",以获取较精准的检索结果
  • 若欲以作者姓名搜寻,建议至进阶搜寻限定作者字段,可获得较完整数据
  • 进阶搜寻
    主页登入上传说明关于CCUR管理 到手机版


    jsp.display-item.identifier=請使用永久網址來引用或連結此文件: https://irlib.pccu.edu.tw/handle/987654321/28366


    题名: 南庄之美-張中桓風景歷史紀實
    The Attractiveness of Nanzhuang – Chang Chung-Huan’s Landscape Documentary
    作者: 張中桓
    贡献者: 美術學系
    关键词: 南庄
    康斯塔伯
    畢沙羅
    柯洛
    日期: 2014
    上传时间: 2014-10-01 10:54:07 (UTC+8)
    摘要: 筆者從小住在鄉下,這是非常美麗的鄉村。我喜愛田園生活,熱愛大自然美景。家鄉附近的南庄,風景優美民風純樸,是筆者經常遊玩踏青、最熟悉的地方。南庄有巍峨山峰,有古蹟步道,清澈溪流奇形怪石,美麗湖泊高聳樹木,美不勝收。因此決定用「南庄之美」做為創作論文題目。本論文重點敘述如下:
    繪畫理論與技法方面,由於受到西方畫家康斯塔伯(John Constable 1776-1837)、畢沙羅(Camille Pissarro ,1830-1903)、柯洛(Corot,Jean Baptiste Camille,1796-1875 ),東方思想家老子,南宋畫家馬遠及筆者生活經驗之影響,形成筆者的創作理念與表現形式。首先敘述創作理念:自然觀、虛實觀、天然色彩觀及重視天空的描繪,並將影響之畫家畫作與筆者作品舉例比較之。然後討論表現形式如何構圖、採用何種繪畫技法、如何選擇繪畫題材,並將康斯塔伯、畢沙羅的畫作與筆者「南庄之美」的作品做比較說明。
    創作方面,分五大系列:山巒系列、溪流怪石系列、雕樑畫棟系列、步道系列、湖光山色系列,將這系列畫作的創作心路歷程、構想、作品解析加以清楚描述。
    I am a writer who grew up in a beautiful rural area. I am so fond of simple
    rural life and the beautiful nature. Nanzhuang, a small countryside spot located in Miaoli Country is an intimate neighborhood that I 've spent a lot of time for. The great mountains, the ancient footpaths, the clear streams, the peculiar shaped rocks,the peaceful ponds,the lofty trees is what the variety you may obtain altogether in this region.Thus, the attractiveness of Nanzhuang was affirmed as the title of my thesis.
    The influences of the Western painters John Constable (17761837), Camille Pissarro (18301903), and Jean Baptiste Camille Corot(1796-1875), Eastern thinker Laozi, Southern Song Dynasty painter Ma Yuan, and life experiences contribute to the creative ideas and manifestations of writers regarding painting theories and techniques.
    First, I describe the creative ideas, natural conceptions, conceptions of existence and nonexistence, and conceptions of natural colors, emphasizing the depiction of the sky. In addition, I provide examples and compare the work of writers with that of painters who considerably influenced these writers. I then discuss approaches to picture composition, applying painting skills, and choosing painting subjects and compare the paintings of John Constable and Camille Pissarro to the beauty of Nanzhuang.
    I divide the aspects of creation into five categories: mountains, streams and odd-shaped rocks, painted beams and carved beams, trails, and landscapes of lakes and mountains. I describe writers’ feelings and ideas during the creative process and analyze a series of paintings.
    显示于类别:[美術學系所] 博碩士論文

    文件中的档案:

    档案 描述 大小格式浏览次数
    fb141001105331.pdf6638KbAdobe PDF2219检视/开启


    在CCUR中所有的数据项都受到原著作权保护.


    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - 回馈