| 摘要: | 蘇安莉的作品中不斷使用即興編舞形式的獨特思維，這位編舞家引起研究者探究與深入思考的興趣，研究者相信當代編舞者自身的舞蹈作品裡必然存在著某種當代舞蹈的型態，進而探討身體自身的意義，使研究者思考即興舞蹈對於當代是否扮演著獨特的重要性。堅持以即興創作為中心的創作者在台灣仍是少見的，使用即興概念出發，同時不斷在自我作品中堅持實踐，這是蘇安莉核心的編舞形式，也是台灣舞蹈藝術可貴的創作態度。研究者藉由蘇安莉重要的作品《日子》進行分析，期待見證舞蹈教學與編創的新可能。
第二章、論述蘇安莉求學經歷與現代舞蹈脈絡。第三章、研究方法與步驟，研究蘇安莉舞作《日子》的舞蹈形式與內容，為了深入而詳實的描述本研究，採用相關文獻蒐集、舞作分析法、深入訪談等方法作探討。第四章、分析舞作《日子》的意涵舞蹈作品的內容與結構
，分別以透過文字與圖解分析舞蹈作品的內容與結構、研究者自訂圖解分析舞蹈媒體之間的關係。第五章、結論，蘇安莉不只以即興手法探究自身創作，更致力於教導青年舞者開發自身可能，此精神與期許都成為台灣當代舞蹈的重要養分，也為台灣的編創思考開發出新可能。
An–Li﹐Su works constantly thinking of using a unique form of improvisational choreography, the choreographer of interest to researchers exploring the deep thinking, The researchers believe that contemporary dance choreographer's own works there must be some kind of contemporary dance style, then discusses the significance of the body itself, so that researchers ponder whether contemporary dance improvisation plays a unique importance. Adhere to improvisation centered creators are still rare in Taiwan, use improvisation concept, while continuing to adhere to the practice of self-work, which is the core of the choreographer form An–Li﹐Su also valuable in Taiwan dance creative attitude. Researchers by An–Li﹐Su important work "day" for analysis, could look forward to new innovations of teaching and witness the dance.
The second chapter discusses An–Li﹐Su school experience with modern dance context. The third chapter, research methods and procedures, research An–Li﹐Su dance as "day" dance form and content, in order to in-depth and detailed description of the study, the use of relevant literature collection, dance for analysis, in-depth interviews and other methods be explored The fourth chapter analyzes the content and structure of the dance "day" meaning dance works , respectively, to analyze the content and structure of dance works through the text and illustrations, the researchers analyzed the relationship between dance custom graphic media. The fifth chapter, conclusions, An–Li﹐Su not only to explore their own creative improvisation techniques, more committed to teach young dancers develop their possible, his spirit and hopes to become an important nutrient contemporary dance in Taiwan, but also for the innovations of Taiwan to develop new thinking possible. |
