孟德爾頌《第二號大提琴奏鳴曲》之樂曲分析及詮釋（改編低音提琴與鋼琴版本）

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Title:	孟德爾頌《第二號大提琴奏鳴曲》之樂曲分析及詮釋（改編低音提琴與鋼琴版本） An Analysis and Interpretation of Mendelssohn’s Cello Sonata No. 2(Double bass and Piano Version)
Authors:	陳品錞 Chen, Ping-Chun
Contributors:	音樂學系西洋音樂組
Keywords:	費利克斯．孟德爾頌低音提琴大提琴奏鳴曲 Felix Mendelssohn– Bartholdy Bass Cello Sonata
Date:	2014-06
Issue Date:	2014-09-05 11:09:44 (UTC+8)
Abstract:	本論文主要以19世紀浪漫樂派的德國作曲家費利克斯‧孟德爾頌-巴托迪（Felix Mendelssohn–Bartholdy）於西元1843年時所創作的《第二號大提琴奏鳴曲》（改編成低音大提琴版本）作為主題研究探討。本研究將分為五章。第一章為緒論，說明研究動機、研究目的以及研究方法；第二章為作曲家的生平；第三章為孟德爾頌《第二號大提琴奏鳴曲》樂曲結構分析；第四章為孟德爾頌《第二號大提琴奏鳴曲》樂曲詮釋；第五章為結語，將本論文研究結果作統匯整理。 This thesis will mainly focus on “Cello Sonata No. 2” (Double bass version) by German Romantic composer, Felix Mendelssohn– Bartholdy. “Cello Sonata No. 2” was written in 1843 as part of Mendelssohn . There will total be 5 parts included in this these. The first part introduction focuses on the motivations, purpose and method of studying. The second part will be the composer’s life. The third part will be musical analysis of Mendelssohn’s“Cello Sonata No. 2”. The forth part will be musical interpretation of Mendelssohn’s “Cello Sonata No. 2”; finally, the fifth part will be the conclusion to summarize these as a whole.
Appears in Collections:	[Department of Music ] Thesis

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