布拉姆斯《三首間奏曲，作品117》之研究

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Title:	布拉姆斯《三首間奏曲，作品117》之研究 A Study on “ Drei Intermezzi, Op. 117 ” by Johannes Brahms
Authors:	莊至鎵 Chuang, Chih-Chia
Contributors:	音樂學系西洋音樂組
Keywords:	布拉姆斯間奏曲作品117 Johannes Brahms Intermezzo Op. 117
Date:	2014-06
Issue Date:	2014-09-04 11:28:09 (UTC+8)
Abstract:	本論文將德國作曲家布拉姆斯 (Johannes Brahms, 1883- 1897)的鋼琴作品《三首間奏曲，作品117》分為六章進行研究。第一章為緒論，說明筆者的研究動機與目的，研究範圍與方法。第二章探究布拉姆斯之創作背景。第三章探討布拉姆斯鋼琴作品分期、性格小品(Characteristic Pieces)之概述以及作品117之風格特色。第四章為布拉姆斯《三首間奏曲，作品117》之樂曲分析，透過分析音樂素材使用、和聲進行、節奏形態與織度等，作為下一章演奏詮釋之依據。第五章為布拉姆斯《三首間奏曲，作品117》之演奏詮釋與彈奏技巧，筆者以實際學習經驗，針對作品中的重要樂段，提出研究心得。第六章為結論，綜合各章節的討論，經過整理歸納，為本論文作總結。 This thesis is on the piano piece, “Drei Intermezzi, Op. 117” of German composer, Johannes Brahms. The thesis consists of six chapters. The first chapter introduces the motivations, objectives, scope, and methods of this study. The second chapter presents an introduction of the composer and his background. The third chapter consists of three sections on the musical characteristic of Brahms’ piano pieces, the piano works periods by Brahms, the style of Brahms’s characteristics pieces and “Drei Intermezzi, Op. 117”. The fourth chapter includes an analysis, material, source, processing of harmony, patterns of rhythm and texture. The fifth chapter discusses the interpretation and playing technique, then recommend the methods of playing on important sections. The sixth chapter concludes discussions by integrating the results obtained in the previous chapters with commentary.
Appears in Collections:	[Department of Music ] Thesis

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