爵士樂團的現場立體聲錄音技術探討-以薩克斯風為主奏樂器之爵士三重奏為例

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题名:	爵士樂團的現場立體聲錄音技術探討-以薩克斯風為主奏樂器之爵士三重奏為例 Jazz Band Live Stereo Recording Techniques Discussed：Jazz Trio Band Which Lead By Saxophone
作者:	謝青峰 Hsieh, Ching-Feng
贡献者:	音樂學系西洋音樂組
关键词:	立體聲錄音技術爵士三重奏樂團樂器擺位現場錄音 Stereo Recording Techniques Jazz Trio Band Instrument Placement Live Recording
日期:	2014-07
上传时间:	2014-09-04 10:00:55 (UTC+8)
摘要:	本論文是以一場薩克斯風為主奏樂器的爵士三重奏現場演奏錄音工作，透過實際設計與規劃，進而探討各種不同的單點立體聲錄音技術對聲音的影響。全文從聲音的產生、聲波的傳播開始了解，並解釋麥克風的技術規格與工作原理，和常見的單點立體聲錄音手法與規範。另外分析爵士三重奏樂團之主奏樂器-薩克斯風的發聲原理與音色特質，鋪陳出這場現場演奏錄音的錄音美學基礎。利用聽感知的心理學現象，針對這場錄音作品中的聲音進行主觀的評價與後期混音調整，分析不同立體聲錄音在這場錄音工作中對樂團音色與現場聲學環境的影響，藉以做出使用哪一種立體聲錄音檔案最適合這個錄音作品的決策，說明樂器擺位、麥克風的位置與角度，樂團間樂器聲音的平衡，後期混音等工作，進而獲得更完美的現場錄音效果與錄音作品。 To study how different type of one-point stereo recording techniques will affect the sound by planning and organizing a live recording task of a jazz trio concert which lead by saxophonist. From understanding the formation of sounds and propagation of sound waves, explain the technical specifications and operation principles of microphones, the common one-point stereo recording techniques and specifications. In addition, explain the principles of sound and the sound characteristics of the major instrument of the jazz trio – saxophone. To establish the aesthetics foundation of recording to this live performance recording job. Psychology phenomena of audiology perception are used to make subjective evaluation and the audio mixing during final stage for the sounds from this recording piece. Analyzing the impact of different stereo recording in this recording task that influences the tone color of the band and the live acoustic environment, in order to make decision about which type of of stereo recording file is the most suitable for this recording piece; explain the instrument placement, the angle and placement of the microphone, the balance between each instrument, and also the mixing at the final stage, to occupied a perfect result of a recording piece.
显示于类别:	[音樂學系所] 博碩士論文

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