| 摘要: | 客家漢樂是客家民族風格音樂當中，以絲竹樂為主的樂種；演奏的方式大多是以合奏形式為主，也可以歸於絲竹樂的演奏形式。隨著時代的變化，許多的音樂家開始為樂曲作改編，琵琶大師林石城先生也將客家漢樂改編成琵琶獨奏樂曲有《出水蓮》、《靠山》、《哭山》。本文選取了《出水蓮》、《靠山》以及，筆者根據客家漢樂所改編之《西調》與《薰風曲》作為這次研究探討的主題，本文以探討琵琶如何演奏客家漢樂的《出水蓮》、《靠山》、《西調》與《薰風曲》，本文首先闡述客家漢樂的背景以及其社會價值，再者對於客家漢樂的音樂架構與風格特色。最後，將這四首樂曲做分析與詮釋，透過文獻資料與表格之整理，讓讀者更加了解客家漢樂之特色。本文中筆者將客家漢樂做有系統地整理，並且透過琵琶特有的演奏手法藉以詮釋質樸典雅的客家漢樂，並且提供讀者們對於琵琶演奏客家漢樂有更進一步地了解。
Hakka-Han Music is performance with string and wind music-based musical genres in Hakka traditional style music. Although Hakka-Han Music is performed mostly in the form of ensemble playing, it still can be distributed to string and wind music playing. With the passing of time, many musicians adapt Hakka-Han Music to different style of performing. Pipa master, Mr. Lin Shi-cheng, wrote pipa solo lute music songs of " Chu Shui Lian ", " Kao Shan "and "Cried the Mountain" arranging from Hakka-Han Music. This study selected " Chu Shui Lian ", " Kao Shan " and another two arrangement " Xi Diao " and "Xun Feng Qu " adapting from Hakka Chinese music by the author to analyze. Aim of this study is researching how pipa players perform these four Hakka-Han Music songs. First, this study describes the Hakka Chinese music background as well as its social value. Second the author compared the Hakka-Han Music musical structure and characteristic features. Finally, to let readers understand the characteristics of Hakka-Han Music clearly, the author analyzed these four songs for interpretation in form by sorting literature and data. The author in this paper is glade to organize the Hakka-Han Music systematically to interpret the rustic elegance of the Hakka-Han Music through a unique performance. By this study to let readers have more understanding and interesting in Hakka-Han Music by pipa performing. |
