現代揚琴曲之分析與詮釋—以《心聲V》、 《滲透》為例

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题名:	現代揚琴曲之分析與詮釋—以《心聲V》、《滲透》為例 An Analysis and Interpretation of Modern Yangqin Composition – Two Case Studies of“Inner Voice V” and “Osmosis”
作者:	許方寶 Hsu, Fang-Pao
贡献者:	音樂學系中國音樂組
关键词:	現代揚琴余家和王雅平《心聲V》《作品滲透》 Modern Yangqin Pieces Wang Ya-Ping Yii Kah-Hoe Inner Voice V Osmosis
日期:	2014-06
上传时间:	2014-09-04 09:48:22 (UTC+8)
摘要:	揚琴是種充滿各種不同語彙及音樂內涵的擊弦樂器，現代揚琴作品與現代音樂有著密不可分的關係，既根基於傳統揚琴的脈絡與現代文化的衝擊，又有著多面向的影響。現代音樂在具體的實踐上有著許多的變動性，承接著傳統的音樂風格，形成對立的音樂特質。現代揚琴作品使用了西方的作曲手法，保留了東方音樂特質，兩者相互結合形成揚琴作品的新局面，除了在演奏技巧上有不同的突破，在音樂內容上也開拓出不同的視野，進而提升了揚琴音樂藝術。余家和《心聲V》及王雅平《滲透》這兩首樂曲皆是受到現代文化影響下的產物，具有現代音樂前衛且創新的變動性，是新興的現代揚琴作品。本論文期望透過現代揚琴作品《心聲V》及《滲透》進行樂曲分析及詮釋，探討這兩首作品的曲式結構、音樂素材、創作背景、揚琴技法等面向；進而了解現代音樂與現代揚琴作品兩者的關係。 Yangqin is a worldwide struck string instrument filled with the variety of different terms and intrinsic values of music. Modern Yangqin pieces are closely interrelated to modern music, and are not only rooted in the history of traditional Yangqin, but also confronted with the impact of modern music. Due to the inheritance of traditional perception, the practice of modern music, full of considerable variability, has the intense contrast of musical attributes. Modern Yangqin pieces employ the western compositional techniques as well as preserving the trait of eastern music; as a result, the fusion of Chinese music and western music causes the new phase of Yangqin. Aside from the breakthrough of performance skills of Yangqin, it presents the different perspective of intrinsic values of music and the enhancement of the art of Yangqin music. Two works, “Inner Voice V” composed by Yii Kah-Hoe and “Osmosis” composed by Wang Ya-Ping were products under the influence of modern culture. Both music were new pieces of modern Yangqin, possessed with the avant-garde and creative mutability of modern music. In order to have the understanding of the relationship between modern music and modern Yangqin pieces, this study aims to analyze and interpret the modern Yangqin composition by means of investigations of the musical structure, musical materials, the compositional background and the performance technique of Yangqin through two musical pieces, “Inner Voice V” and “Osmosis”.
显示于类别:	[音樂學系所] 博碩士論文

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