| 摘要: | 本論文以基督教繪畫藝術開始探討基督教藝術之抽象思惟，從中闡釋深藏西洋文化裡的抽象成因。進而以早期基督教之標記和聖像揭開基督教繪畫藝術之章節，分析處於立像與不立像的兩難間，基督教繪畫藝術是如何發展出來的。
在探討基督教繪畫藝術之時，也以自我的繪畫創作與體驗，來做為研究所學習階段的統整。藉此省思自己的繪畫成長過程與對繪畫學習的態度。總而言之，藝術性價值在於其革新的創作意念，針對此，喬托提出了繪畫創作的主張：「人其實可以透過自己的感官和知覺，而不是透過別人的指示或學來的概念，來了解上帝和上帝所創造的這個世界！」也因而筆者深受其創作及宗教信仰的影響，有了撰寫本文的動機，希望藉此論文的撰寫，能探究出喬托那奧秘的繪畫表現方式與其深層的畫作內涵，以增添自我繪畫創作的想像力及畫面的創作空間。當然最重要的是，能在未來的自我創作中有更突破性的發展，繼而揮灑出繪畫創作生命中的自我潛藏能量。
In this thesis,Christianity began to explore the art of painting abstract art Contemplative Christian,From deep causes of abstract interpretation of Western culture. Further to the mark and icons of early Christian art Christian paintings opened chapters, Analysis is not between the statue and the statue of the dilemma is how to develop Christian painting out.
At the time to explore the Christian art of painting, but also to self-painting and experience to do the learning phase of the Institute integration. Thereby reflect upon their own growth process of painting and painting the attitude of learning. All in all, the artistic value lies in its innovative creative ideas for this, Giotto painting ideas put forward: "Man can actually through their senses and perception, rather than concepts or instructions by others learned to know God and God created this world!" The author thus also affected by its creation and religion, have the motivation to write this article, hoping to write papers, to explore the mysteries of Giotto's paintings that expression of its deep meaning of the paintings, To add creativity and imagination of self-painting the picture. Of course, most importantly, to have more breakthroughs in the future development of self-creation, and then sway the self-life painting hidden energy. |
