論「後立體派」的透視法則及其創新意義

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Title:	論「後立體派」的透視法則及其創新意義 THE PERSPECTIVE OF POST-CUBISM AND ITS INNOVATIVE IMPLICATIONS
Authors:	趙玉華
Contributors:	藝術研究所美術組碩士在職專班
Keywords:	後立體派深層的理解 Post-Cubism deep appreciation
Date:	2006
Issue Date:	2014-08-12 15:29:13 (UTC+8)
Abstract:	塞尚：「作畫，便是去掌握那多種關係中的和諧。」又說：「我總是盡力在尋找自己的繪畫道路。」試想，任何一位從事藝術創作的畫家，何嘗不在追尋自己的道路，只是在追求真理的孤獨過程中，自己獲致的果實有多少罷了。藝術，中西皆同就像是一條無止盡的河流。藝術為了追求人類心靈上的和諧不斷地尋求創新，若以個人生命之淺短，欲想透徹繪畫的真理與自然間奧妙的關係，甚至突破現狀，開創歷史，那幾乎是愚蠢莫名，遙不可期。但從另一角度來看，人「存在」便有一切的可能性，以塞尚、畢加索、伯修尼等三者為例，他們皆抱持著創新意義的追求與實踐，最終不僅開創了藝術的契機亦為世人所肯定。繪畫的突破與開創，除了帶有時代的因素外，或許還必需具備有像塞尚那樣執著的創作毅力；畢加索那般通達的思變；伯修尼探索未來的可能等，才可能創造出驚世不俗且富有生命力的巨作。關於繪畫形式的創見問題，筆者認為其關鍵處乃在於畫者是否對基礎功曾做過辛勤地研練及對繪畫理論是否有「深層的理解」。試想，塞尚說：「吾誓以繪畫而亡。」那句話時，他的心情是那麼地沈重，又那麼地悲壯，簡直如赴義般地令人不敢想像！人存在之價值，不就在求得真理嗎？塞尚對繪畫的狂熱，藉由其書信的來往可獲悉，他的思想已進入形而上如哲學般的窮究態度，其心境好似修練求佛的高僧，亦像老子得道後出塞絕蹤，義無反顧一般。筆者雖無「深層的理解」功力，卻期盼透過繪畫理論的探討和研究，能日益加深基底的修練，且嘗試認清「自我」，求得繪畫創作的突破法則。由於「後立體派」是2000年於台灣地區發展的一新組織畫派，面對未來之路，其繪畫真理的探求應還有填補、精進的空間。筆者雖初接觸「後立體派」，惟秉持「君子務本，本立而道生」的理念，誠如翁美娥教授於千禧年第一次「後立體派」大展所撰的序文：唯有「信心」才能成就這美好的一切；更說：要以「自我肯定、自我超越、自我突破」之創作意念，繼續實踐後立體派的理念、宣言及宗旨…。筆者期冀於研究創作的過程中，努力地吸收其中的養分，且隨緣生情，順應自然，在自我昇華的體驗下，謹以最真誠的心靈感受，去接納「後立體派」所提供的觀念及精髓，藉哺育內心那一份最欠缺的繪畫思想根基。本論文以探討後立體主義作為主軸，再藉由畫派理念的主張及其精神意涵，進一步地針對其透視法則做一深入的研究，筆者期盼透過「深層的理解」途徑，獲得平面空間繪畫性的再認識，俾能對自我創作的創新意義有所助益。本論文七個章節，大綱如下：第一章「緒論」第二章「後立體派」示意第三章「後立體派的學理依據」第四章「後立體派」解析第五章「後立體派的拓展與未來性」第六章「自我創作的理念、形式及內容」第七章「結論」 In the eyes of Paul Cezanne, painting is the discovery of harmony among numerous relationships and a painter must always tread a path of his or her own. Similarly, any serious artist would always seek his or her own style. Sadly, not every artist would achieve success in the solitary enterprise of searching after truth. Art is like an endless river. This is the case for Western artists as well as for Eastern artists. Art keeps renewing itself as man pursues harmony in his psyche. Man’s yearning for the penetration of the relationship between the truth of painting and nature seems a pious hope, let alone making history by breaking free from the establishment. Come to think of it, however, anything is possible as long as man is. Prominent examples include Paul Cezanne, Pablo Picasso, and Umberto Boccionis. All of them strived to break new ground while they were alive. Their commitment to renovation led them to immortality, and art was renewed in the process. To be sure, the renewal of art often has to do with a paradigm shift. Nevertheless, it takes strenuous efforts of the artist to create a masterpiece that catches the eyes of the world and is full of vibrancy: Cezanne’s insistence on creating new styles, Picasso’s open-mindedness, and Boccionis’s exploration of the future are all good examples. Similarly, it takes serious hard work in the basics and deep appreciation of art theory on the part of the artist before s/he can possibly gain an insight into the mystery of painting. Just think: how sorrowful and heroic it was when Cezanne said he would die for paining! That kind of dedication to art is beyond our imagination. Isn’t it the pursuit of truth what man’s existence is all about? But it does not seem to be the case for most of us. Judging from Cezanne’s correspondence, one knows what kind of passion he has for painting and how philosophical and metaphysical he had gotten. He was just like Buddha who sought Nirvana, or Lao-Tse who exiled himself from the Middle Kingdom after he achieved enlightenment in the Tao, the ultimate way of the universe. I have to confess that I am still trying to gain a deep appreciation of the art theory. But I do wish to make a breakthrough someday through continued study of the painting theory, practice of basic skills, and search for my inner self. Post-Cubism is a school of painting that came into being in Taiwan in 2000. Because it is still in its youth, it has a long way to go in terms of coming up with a more detailed theory of art and painting. I myself am also a beginner in the school and therefore am still learning the fundamentals. And I’m very much encouraged by Prof. Ueng Meei-Er’s words in her preface to the first Post-Cubism Exhibition in 2000: “Only with faith can we accomplish something…We must continue to practice the concept of Post-Cubism and turn its ideals into reality with a belief that we can trust ourselves, surpass ourselves, and outshine ourselves.” In this connection, I hope to immerse myself in the research of creation and experience sublimation by exposing myself to Post-Cubism. The present thesis discusses Post-Cubism, including its concepts, spiritual meanings, and perspective. I hope to achieve a fresh understanding of graphic artistry through a deep understanding and in the process renew art in itself. The present thesis is divided into seven chapters: 1. Introduction 2. What Is Post-Cubism? 3. The Theoretics of Post-Cubism 4. The Painting Theory of Post-Cubism 5. The Outlook and Future Developments of Post-Cubism 6. Ideas, Forms and Contents of My Own Works 7. Conclusion
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