| 摘要: | 林風眠與潘玉良在中國現代繪畫史上佔有獨特的地位已是世界公認的，他們都於20世紀前葉開創中國新藝術的方向，將西方現代藝術精髓注入中國社會的傳統文化中而受到肯定的偉大畫家。他們之所以能夠在當時中國美術教育與藝術思潮之中佔有一席地位，除了畫家本身的勤奮之外，更重要的是，這兩位畫家均以「融中西畫」為己任，將西方藝術思潮的理念和技法結合東方藝術博大精深的意境，並以個人語言傳達出自我的感受，並將其生活周遭與對過去回憶的細膩觀察融入於繪畫作品當中。
筆者不僅崇敬林風眠和潘玉良兩位畫家對中國現代藝術的貢獻
，更欽佩的是，他們在當時的惡劣環境中仍能堅持己見，不畏艱難地朝自己的創作目標和理想挺進。他們不汲取名利、不追求聲望，總是默默地在自我創作的世界裡耕耘，這種創作精神無疑地成為中國藝術家們的楷模。筆者藉由這兩位畫家的創作歷程及作品研究，深入探討他們內心的意識層面，The unique position of both Lin Feng-Mien and Pan Yu-Liang in Chinese modern painting history has been recognized in the world; they are confirmed as great painters creating the direction of Chinese new art in the first half of 20th century, pouring the essence of western modern art to Chinese traditional culture. The reason why they could occupy the position in Chinese fine art education and thought trend of art, in addition to their diligence, the most important is they took “Blending Chinese with Western Paintings” as their task, combining the idea of western thought trend of art and skill with profound and extensive conception of oriental art, moreover, they used their individual language to convey themselves feeling and blended their fine observation on living environment and past memory into painting works.
The author not only esteems Lin Feng-Mien and Pan Yu-Liang two painters’ devotion to Chinese modern art, but also admired that they could persist in their opinion in adverse circumstance toward their creation goal and ideal, defying hardship and danger at that time. They are not ambitious for fame and wealth, nor seek prestige, but always made efforts in creation world silently. This kind of creation spirit no doubt becomes the model of Chinese artists. The author deeply explores these two painters’ conscious by means of creation history and work study, and understands the outline of intercourse of western and oriental culture and art, as well as the greatest influence of returning painters from studying aboard on Chinese art circle. |
