談北宋李公麟白描人物畫與作者人物畫之比較

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题名:	談北宋李公麟白描人物畫與作者人物畫之比較 Discuss the difference between figure sketches of Li Gong-Ling of Sung Dynasty and those of present artists
作者:	連恆廣
贡献者:	藝術研究所
关键词:	李公麟線性白描人物畫作者線條人物畫
日期:	2006
上传时间:	2014-06-04 10:13:24 (UTC+8)
摘要:	依據中國水墨白描畫之論點來研究，以最初的線性白描為例，中國畫的線條在李公麟的表層涵意中是作為線描的手段；再其深層的涵意裡，是畫家作為生命情感的媒介。因此，中國線性白描的藝術就是表示畫家對線的結構、轉折、頓錯、皴勒有著敏銳而細膩的作畫直覺。　　李公麟繪畫成就之高爍古耀今，則人物畫之表現技法與風格，對後世專事水墨創作者亦有相當深遠的影響和啟發。　　伯時身處在藝文繁榮的宋朝，廣泛的吸收各大家之所長，終究創造出屬於自己獨特風格之領域，其人物畫生動傳神，線條鐵線如絲，具有新穎的力意與構思，帶起文人畫風格的另一開端，然而李公麟線性白描筆法的流暢、成熟也讓筆者在研究之同時感受出他「真、性、情」的一面。　　李公麟描寫人物畫足堪取法之處甚多，本論文以研究李公麟白描線性與筆者白描線性之相同點與異同點之比較與討論為研究主題，並以之與個人創作相輔相證，冀能藉汲古之菁而略有所得。 The argument drawn according to the black drawing in brush style of Chinese water is studied, take initial linear drawing in brush style as an example, the lines of Chinese painting are the means to copy as the line in Li Gong-Ling's purpose of containing of top layer; In its deep culvert purpose again, it is the media that the painter is regarded as the life emotion. So, art of the linear drawing in brush style in China is to express a painter stops to structure, turn, of the line, ties chappedly tight sharp and fine and smooth intuition of drawing a picture. 　　The glittering to shine today anciently high of Li common Ling's painting achievement, then the behavior skill and technique and style of the figure painting, specialize in the black creator of water and also have quite far-reaching influence and inspire to later age. 　　Body in gentle prosperous a Song Dynasty such as skill at the uncle, extensive absorption all chief of you, it is a field of one's own unique style to create eventually, its figure painting catches the spirit vividly, the lines iron line is like the silk, Italy of strength with novelty and conceiving, brings to a scholar and draws another beginning of the style, but common Ling linear drawing in brush style Li technique of writing smooth ripe to let simultaneous feeling that author is study produce one side of he ' really, sex, feeling ' too.
显示于类别:	[美術學系所] 博碩士論文

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