| 摘要: | 德國音樂家約翰尼斯‧布拉姆斯(Johannes Brahms, 1833 - 1897)是一位熱愛傳統民族文化、追求古典精神的作曲家，作品中，結構的原則、調性的轉變、以及主題發展的邏輯性，都可看出布拉姆斯深受古典時期音樂影響的思維。
於1879年完成的兩首作品七十九《狂想曲》，是屬布拉姆斯晚年之作，此作品結構如同布拉姆斯的個性一般嚴謹，但內心的狂熱之情卻藉由他和聲上華麗的音響嶄露無遺。
本研究從布拉姆斯之生平與鋼琴音樂風格著手，探討當代創作風格以及布拉姆斯獨特見解的創作手法，進而分析兩首《狂想曲》作品七十九之樂曲結構，並透過樂曲的分析與詮釋，了解到布拉姆斯如何以較為古典的音樂形式，來表達內心深處的想法，因此，在演奏布拉姆斯的作品時，除了熟悉創作手法及演奏技巧外，如何將其中隱藏在布拉姆斯筆下每個音符的涵義給表達出來是更為重要的。
German musician, Johannes Brahms (1833 - 1897), was a composer with passion in traditional ethnic culture and classical spirit. Through the shift in tonality, the changes in principle and the development in theme, it is overt how classical music has implemented in Brahms’ musical pieces.
Brahms has completed his two Rhapsodies Op. 79 in his later years. These two pieces’ structure has truly expressed his conscientious and careful personal traits, yet through the harmonious melody, it as well reveals his enthusiastic inner-self.
This study begins with exploring Brahms’ life profile and musical style, which later followed by the interpretation of his work “Rhapsody, Op. 79” . Through the in-depth interpretation, it reveals the reason why Brahms has used a more classical style to express his innermost thought. And so, when playing Brahms’ work, other than the technical skills and performing techniques, it is even more important to express the inner meaning of every single notation. |
