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https://irlib.pccu.edu.tw/handle/987654321/26522
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| 題名: | 探究十九世紀法國「時代‧女性‧美」之畫作意涵
An exploration for the implications of French “Era, Female, Beauty” paintings in the 19th century |
| 作者: | 常扶秀 |
| 貢獻者: | 美術學系 |
| 關鍵詞: | 印象主義
官方沙龍
落選沙龍
資產階級
女性美形象
Impressionism
Salon de Paris
Salon des Refuses
Bourgeoisie
Image of feminine beauty |
| 日期: | 2013 |
| 上傳時間: | 2014-01-15 14:41:51 (UTC+8) |
| 摘要: | 西元1863年，法國畫壇以創新、改革反對巴黎官方沙龍(Salon de Paris)而成立的落選沙龍(Salon des Refuses)展揭開了顛覆的浪潮，醞釀出西元1874年一批年輕畫家，以「匿名的畫家、雕刻家、畫家和雕刻家協會協會」（Société Anonyem DES Peintres Sculpteurs Graveurs）為名的獨立畫會(Independent exhibitions)展岀他們的藝術作品，該畫派畫家的第一次聯展揭開革命性的序幕，自此印象主義掙脫了歷史框架，將傳統與現代做重新的融合，為二十世紀奠定好傳承的契機。十九世紀的最後三十年，印象派已成為繪畫藝術的主流，加上資產階級(Bourgeois)的興起造成都會生活的多樣及現代化之面貌，並大量地呈現在印象派畫作中。
十九世紀中期的法國繪畫中，女性美的形象產生了極大的改變，不管從內涵還是形式上都擁有了與往昔不同的新特質。這究竟是什麼原因？而這些新的女性形象又對社會產生了怎樣的影響？為了深入地探討以上所述的女性繪畫之社會、人文環境因素，筆者特收集各種有關女性繪畫之資料，進行文獻分析與歸納，以社會環境與人文環境交互影響的觀點來考察，此即為筆者撰寫本論文之目的與範疇。
In 1863, French painting circle disclosed the wave of subversion by establishing Salon des Refuses to oppose Salon de Paris on the basis of innovation and reformation, fermenting Independent exhibitions organized by a group of young painters under the name of “Société Anonyem DES Peintres Sculpteurs Graveurs” to display their artistic works in 1874. The first group exhibition from painters in this painting school lifted the revolutionary curtain, allowing impressionism to break out of the historical framework and reintegrate tradition with modernity, and settling inheritance of opportunities for the 20th century. Impressionism in the last thirty years of the 19th century had become the mainstream of painting art to cause diversities of urban life and features of modernization with the addition of rising Bourgeois, and largely presented in impressionism paintings.
In the mid-19 century, the image of feminine beauty in France had great change to produce new characteristics in either contents or forms. What is the reason? What did these new feminine images influence on the society? In order to deeply explore social and humanity environment factors for the aforesaid feminine paintings, the writer specially collected various data relating to feminine paintings and conducted literature analysis and induction to investigate based on the viewpoint of interactive influence between social environment and cultural humanity environment. This is the purpose and scope for the writer to write this thesis. |
| 顯示於類別: | [美術學系所] 博碩士論文
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