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請使用永久網址來引用或連結此文件:
https://irlib.pccu.edu.tw/handle/987654321/26112
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| 題名: | 論二十世紀女畫家的女性主義創作思潮－以陳進、潘玉良和歐姬芙為例
A Study of Feminist Creative Trends of Female Artists in 20th Century – From Chen Jin, Pan Yi Lang, Georgia Totto O’Keeffe |
| 作者: | 廖素貞
Suchen, Liao |
| 貢獻者: | 藝術研究所美術組 |
| 關鍵詞: | 女性主義
父權社會
雙贏價值
女藝術家
主體認同
feminism
female artists
patriarchal society
a win-win value
subjective identity |
| 日期: | 2012-12 |
| 上傳時間: | 2013-11-12 14:51:59 (UTC+8) |
| 摘要: | 本研究旨在探討二十世紀女畫家所展現的女性主義創作思潮， 因此，本文試圖以質性研究的方法，針對中西三地，三位女藝術家之成就，以及作品圖像語彙透露的女性主義觀點與視野，探討西方與東方在父權社會及女性思潮撞擊下，所激發出的女性創作歷程，女性創作的生命力，以及她們的歷史地位與社會性價值。
女性主義者昔日以爭取「兩性平等」作為主軸，迄今已被「兩性互重」所取代之，藉以營造出男女兩性彼此間的雙贏價值。早期藝術家的發展受限於家庭、經濟、教育和社會背景等諸多因素，無法海闊天空地致力於藝術創作，然而二十世紀卻在多位女藝術家的努力創作下，展露出女性的藝術才華。女性藝術家擺脫外在環境的諸多限制，不僅擁有其自己的創作空間、獨立思維，更在創作中與自我進行辯證與對話，塑造出本身的美學典範，為現代女性藝術創作提供多元化的創作面向。
本文的研究方向以二十世紀女性主義的崛起與意義，並從美國畫家歐姬芙、中國潘玉良，到臺灣畫家陳進的藝術成長歷程，與畫作中女性主義思維的展露作為主軸；縱向則聚焦三位藝術家的生命史、繪畫發展與中西時代的創作氛圍，藉以瞭解三位女性藝術創作者於社會形塑中的主體認同；橫向則著重於詮釋畫作中所流露的女性主義思維，以及二十世紀女性藝術家的自我定位、藝術價值與時代意義。
This study aimed to explore the trend of feminist creation by the female artists in the twentieth century. Therefore, this article attempts to use qualitative research methods to explore their feminism perspectives and horizons. The study focused on three Chinese and Western feminist artists and their achievements, as well as literature and graphical creations. The historical status and social value of feminine creations and vitality are explored under the impact of Eastern and Western patriarchal society and feminist trend.
The feminists strived for “gender equality” in the past, and have now been replaced by “mutual respect”, in order to create a win-win value. The early artistic development is limited and constrained by family, economic, educational and social background, and many other factors. However, several female artists emerged in the twentieth century, revealing the artistic talents of women. These female artists freed themselves from the limitation of the external factors, by having their own space for creativity and independent thinking. Through their introspective dialogue and shaping their own aesthetic model, diverse creativity are made possible to modern feminist arts.
Direction of this research is centered in the meaning and rise of the twentieth century feminism. The feminist thought in the paintings of American painter Georgia Totto O’Keeffe, Taiwanese painter Chen Jeang and Mainland Chinese Pan Yi Lang are showed as the vertices of this study. The social identities of these three artists are explored from the perspective of their life history, artistic development and the creative atmosphere of the era. In addition, feminist thoughts and trend in their paintings are interpreted along with their self-positioning, and artistic value in the twentieth century. |
| 顯示於類別: | [美術學系所] 博碩士論文
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