以詩詞為創作素材的柳琴曲《江月琴聲》、《蘿蕾萊》之研究

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題名:	以詩詞為創作素材的柳琴曲《江月琴聲》、《蘿蕾萊》之研究 A Research on the Liuqin Works, "Melody on a Moonlit River" and "Die Loreley," as the Creations Based on Poetic Lyrics
作者:	陳彥伶 Chen, Yen-Ling
貢獻者:	音樂學系碩士班中國音樂組
關鍵詞:	柳琴王惠然劉至軒江月琴聲蘿蕾萊 Liuqin Wang, Hui-Ran Liu, Chih-Hsuan Melody on a Moonlit River Die Loreley
日期:	2013-06
上傳時間:	2013-09-26 13:47:45 (UTC+8)
摘要:	臺灣國樂在近十幾年來迅速地發展，除了作曲家們不斷的發掘新元素作為譜曲的題材外，演奏者也嘗試以多方的角度探索樂曲內容，企圖能深刻的表現出，樂曲中細膩情感的變化。樂曲主題所描寫的內容為何，端看作曲家創作時的安排，演奏者在解讀音樂情境時，則以作曲家所設定的主題為方向，賦予音樂適度的想像。　　以詩詞作為譜曲素材的作品，在琵琶、二胡及笛子等樂器中數量相當多，相較之下在柳琴中卻為稀少。在這些作品當中，樂曲《江月琴聲》及《蘿蕾萊》尤為動聽。《江月琴聲》是作曲家王惠然應台北市立國樂團之邀，為第三屆民族器樂協奏大賽柳琴組指定曲所創作之作品。樂曲以唐朝詩人白居易之著名詩作〈琵琶行〉為創作主題；《蘿蕾萊》是作曲家劉至軒應台北柳琴室內樂團團長鄭翠蘋之邀，指定以德國浪漫派詩人海涅之名詩歌〈Die Lorelei〉為素材譜曲，以作為柳琴室內樂團音樂會的創新曲目。　　本文主要探究《江月琴聲》及《蘿蕾萊》的音樂內容，透過創曲意圖、曲式結構、技法運用及音樂特色等面向，來分析這兩首樂曲對於詩詞內涵的表現方式。並且以筆者身為演奏者的角度，將樂曲中特有的語法及技巧，作進一步的詮釋。　　音樂以抽象的樂語來敘事，詩詞則以凝鍊的文字表達意境。筆者經由對這兩首作品的分析，除了對於曲中意涵、深度更能體悟，並在表現上提出自身的看法外，也冀望筆者研究出來的資料，能提供柳琴演奏者，在掌握樂曲的意涵方面作為參考。 The rapid development of the national music in Taiwan includes not only the new elements found by the music composers but also the heterogeneous creations in recent years. These compositions try to express the deep emotions in the music. The composer’s arrangement of the musical elements and themes serve as the imaginational space for the players. On the basis of poetry, there are nowadays more works for erhu fiddle and pipa than those for Liuqin. Among the rare works for Liuqin, “Moonlit River” and “Die Lorelei” are especially touching. Invited by Taipei Chinese Orchestra, the composer Wang Hui-Ran created “Melody on Moonlit River” for the third Contest of Liuquin. This work is founded on Bai Gui Yi’s poem “Pi Pa Shin,” taking from the later the main emotions and scenarios and proceeding with four major sections. “Die Lorelie” is the work composed by Liu Chi Shuang as an innovative music for the Taipei Liuqin Ensemble, created on the basis of German romantic Heine’s poem “Die Lorelei.” This research is to analyze the two works, “Moonlit River” and “Die Lorelie,” by inspecting their motives of creations, structures, techniques, and characteristics of tunes to tell the expressiveness of these two works. The composer of this research, as a music performer, makes further interpretations for the musical language and skills. Music narrates in abstract language, while poetry tells the story in terse words. The researcher, with the analyses of these two works (including the insights and interpretations of the works), hopes that the findings of this research would contribute to the performance and the creation of Liquin works.
顯示於類別:	[音樂學系所] 博碩士論文

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