海頓變奏曲F小調Hob. XVII:6與貝多芬變奏曲F大調作品34之樂曲分析與詮釋

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題名:	海頓變奏曲F小調Hob. XVII:6與貝多芬變奏曲F大調作品34之樂曲分析與詮釋 Performance Issues and Analytical Interpretation on Variations Hob. XVII:6 by Haydn and Variations Op. 34 by Beethoven
作者:	陳姵君
貢獻者:	音樂學系西洋音樂組
關鍵詞:	海頓貝多芬變奏曲主題與變奏 Haydn Beethoven variation theme and variation
日期:	2013-07
上傳時間:	2013-09-13 14:34:30 (UTC+8)
摘要:	變奏曲很早就被運用於樂曲中，也是相當常見的曲式。變奏曲在十六世紀確立，之後巴洛克時期以反覆的固定低音方式之變奏為主(如夏康舞曲、帕薩卡利亞舞曲)，古典時期則以主題與變奏為主。而浪漫時期與更後期的變奏曲，在創作手法上更趨自由。各時期的變奏曲皆有其代表作品及該時期之風格特色，變奏曲的種類、形式之豐富多元，在西方音樂史上扮演了重要的角色。本文以海頓F小調變奏曲Hob.XVII:6(Variations in F minor, Hob.XVII:6)及貝多芬F大調變奏曲作品34(Variations in F major, op.34)為主要探討對象。首先淺論變奏曲之歷史演變與種類，其次討論兩首同屬古典時期的主要變奏形式--主題與變奏--在變奏技法、結構運用方式上不同之處。從對於作曲家生平的簡介，帶入對於樂曲結構之分析與演奏詮釋的建議。本文共分五章：第一章緒論，第二章變奏曲簡介，第三章海頓F小調變奏曲Hob.XVII:6之研究，第四章貝多芬F大調變奏曲作品34之研究，第五章結語。 Variation as musical form was applied early and also common in musical works. The form of variation was established in the 16th century, later mainly in variation of ground bass in the Baroque period (for example, in chaconne and passacaglia) and in theme and variations of the Classical period. Variations of the Romantic and later period were freer in compositional skills. There are representative works of variation in each period, to which they are unique in style. Variation with its abundance in categories and forms plays an important role in the western music history. Variation in F minor Hob.XVII:6 by Haydn and Variation in F major, op.34 by Beethoven are the main issues of this thesis. Firstly, the historical evolution and the categories of variation will be introduced, followed by discussion on the two works, both of which belong to the main variation form in the Classical period--theme and variation, focusing on the different variational techniques and structural usages. The discourse will then start with introduction to the composers’ lives and continue with formal analyses on the works and suggestions for performance interpretation. This thesis includes five chapters. Chapter One is the preface, Chapter Two is the introduction of variation, Chapter Three is the study of Variation in F minor, Hob.XVII:6 by Haydn, Chapter Four is the study of Variation in F major, op.34 by Beethoven, and the final chapter is the conclusion.
顯示於類別:	[音樂學系所] 博碩士論文

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