蕭邦《G小調大提琴奏鳴曲，作品編號65》之樂曲分析與演奏詮釋

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Title:	蕭邦《G小調大提琴奏鳴曲，作品編號65》之樂曲分析與演奏詮釋
Authors:	李宜庭
Contributors:	音樂學系
Keywords:	大提琴奏鳴曲詮釋比較蕭邦 Chopin Cello Sonata performing interpretation
Date:	2013-07-02
Issue Date:	2013-09-12 13:16:36 (UTC+8)
Abstract:	蕭邦為19世紀重要鋼琴家與作曲家。此首g小調大提琴奏鳴曲創作於1845年，是他僅有的一首大提琴奏鳴曲作品。　　本論文分五章來探討並分析此首大提琴奏鳴曲。第一章說明研究動機及方法等；第二章以作曲家生平與創作背景來了解蕭邦及其作曲之背景；第三章則探討此曲之結構分析。第四章為演奏之探討，並提出個人演奏詮釋見解；第五章比較六位大提琴家之演奏詮釋；第六章則為本論文提出總結的結論。 Chopin is an important pianist and composer in 19th century. This cello sonata in g minor was composed in 1845, and is the only cello sonata he composed. There are five chapters in this thesis. The first chapter discusses the motive and the method. The second chapter introduces Chopin and the background of this composition. The third chapter analyzes the structure and probe the technique. The fourth chapter is performing interpretation. The fifth chapter is compare six cellists' performing interpretation. The final chapter is the conclusion.
Appears in Collections:	[Department of Music ] Thesis

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