探討三種生成形態的二胡曲—以《第一二胡狂想曲》、《聽松》、《二泉映月》、《流浪者之歌》為例

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Title:	探討三種生成形態的二胡曲—以《第一二胡狂想曲》、《聽松》、《二泉映月》、《流浪者之歌》為例 The Exploration Into theThree Formative Pattern of Erhu Fiddle Composition — To demonstrate with Four Erhu compositions
Authors:	江欣穎
Contributors:	音樂學系
Keywords:	二胡 Erhu 王建民 Jian－Min﹐Wang 《第一二胡狂想曲》 The Caprices of Erhu No.1 華彥鈞 Yan－Jiun ﹐Hua 《聽松》 Listen to the Billows of Pines 《二泉映月》 The Moon Reflected In Er-guen 薩拉薩蒂 Pablo Martín Melitón de Sarasatey Navascués 《流浪者之歌》 Zigeunerweisen ,Op.20
Date:	2012
Issue Date:	2013-03-21 13:40:00 (UTC+8)
Abstract:	本屬民族樂器的二胡，長期寄寓於各種地方音樂、地方戲劇、戲曲、或說唱藝術中。獨立演奏的成熟實屬近數十年來的演變，當下存見之二胡獨奏曲可謂多樣、繁雜。本文以王建民之《第一二胡狂想曲》（此為今人純粹以現代作曲技法所創作）、華彥鈞之《聽松》、《二泉映月》（此兩者為近代藝人憑經驗與直覺所作）、以及薩拉薩蒂之《流浪者之歌》（此為較成功而完整的移植曲）三者明顯區分之類別進行探討。固然，樂曲的創作背景、創作理念與手法、演奏技巧、曲式等向為探討的重要步驟與內容。然而，二胡於近年來曲目激增，其生成形態即是其藝術價值之內核，對演奏者的體悟及再創都極為重要。如：移植之實義並非完全取代（替代則無價值），由傳統民俗中提煉、互溶、再造之曲所具備的新意若何等等，皆是演奏二胡必須認真面對的重要理念。當下以此理念為文論者極少，本文應屬起步階段，僅以重要而明顯的三種形態之樂曲，從演奏實踐中體悟、分析、比較。 Abstract It belongs to ethnographical instrument named Chinese Erhu. It’s been used for a long time in several folk musics , local dramas ,Taiwanese opera as well as comic dialogue for entertainment. The mature stage of the solo has changed into for decade lately , nowadays. It has been playing the solo of the Erhu. We could say they are various anf complex styles. For this article , we’re going to study and talk over to divided into the three of them. One is “The caprices of Erhu No.1 ”（It has just created with the skill of modern composition）“ Listen to the Billows of pines ”“ The Moon Reflected In Er-guen ”（Both of them have been made by moredern artists with their experiences and instincts）“ Zigeunerweisen,Op.20 ”, as well（It’s been more successful and complete transplant composition）. Even though , the creative playground of the musical composition , creative conception and skillful performance , the skill of the performance. All of them are more important procedures forus toreseach , however , The Erhu has been creasing so many kind of compositions. Their forms are involved the inside of the valuable art. It’s very important to experience and recreate. For example, the meaning of the transplant is not to replace completely（It’s worthless to replace any composition）. They extracted from the folkways , mixed up for each other , and the new meanings of the new compositions. All of the problems have had to dace by the people who play the Erhu are the most important tasks. It’s really seldom to discuss so far. In this article , it’s just a basic stage to show the three forms of the compositions from performing to experience , analyse compare.
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