文化大學機構典藏 CCUR:Item 987654321/23911
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    CCUR > College of Arts > Department of Theatre Arts  > Thesis >  Item 987654321/23911


    Please use this identifier to cite or link to this item: https://irlib.pccu.edu.tw/handle/987654321/23911


    Title: 原住民傳說《矮人》劇本創作暨創作報告
    Authors: 張源佐
    Contributors: 戲劇學系
    Keywords: 兒童劇
    children's drama
    原住民
    aboriginal
    神話
    myth
    矮人
    dwarf
    Date: 2012
    Issue Date: 2012-12-06 11:58:48 (UTC+8)
    Abstract: 原住民傳說《矮人》劇本主要討論:原住民的神話故事其蘊藏何種意涵?原住民是如何與大自然共同生存?矮人傳說,對原住民又代表了何種意義?在面臨困境時,選擇放棄?選擇面對?而在困境時,年齡只有十歲的兒童該如何面對?每一則原住民神話,代表了祖先的訓誡與教導,每一則原住民故事,代表了在大自然生存的智慧。面臨看似活潑,卻嚴肅的題材,該如何呈現原住民最真實的樣貌?
      此一創作以兒童劇本為劇本模式,以原住民神話、傳說故事為劇情架構,以現實、虛擬交錯為呈現手法,以人物心理狀態為劇情核心價值。除創作外,以論文理論之分析,作為創作依據。全劇共分四幕十場,估計演出時間約為九十分鐘。
      本論文分為兩個部分,第一部分章節劃分如下,第一章「緒論」敘述創作與研究的動機、目的、方法與預期效果。第二章「《矮人》原住民矮人傳說之引用」,依據本中所出現泰雅族、賽夏族與邵族的矮人,進行探討與矮人在劇本中所使用之範圍與故事發展。第三章「創作方法」,是針對於本劇題材的選擇,將其形式與內容運用說明,先說明在《矮人》劇本中所引用之原住民口傳文學,接著在創作取材部分,引用了哪些原住民的神話與文化,說明在原住民文學與《矮人》劇本之結合創作,第二節說明創作的主題,主題所意涵的意思,第一主題為原住民,第二主題說明愛、包容與勇氣。第四章「表現技巧」將劇本的成分,分為《矮人》創作的人物性格、行動與衝突,先說明劇中主要角色性格塑造,在針對主要角色內心情感與衝突進行說明,針對本劇歌曲,進行歌詞分析與說明,並配合圖片說明。將這些構成劇本創作的主要要素,詳細的說明。


     The script “Dwarfs” about the legend of aboriginal mainly discusses the meaning of aboriginal myths and what it may concern. How do aboriginals live together with the nature? What does the dwarfs legend mean to them? In the struggled situation, people would choose to give up or face it bravely? Moreover, for a 10 years-old boy, how would him deal with the situation? Every aboriginal myth represents the admonition and precept from the ancestors and the knowledge of living in nature. For the script which seems to be lively but is also the serious material, it is a hard work to present the most realistic pattern of the aboriginals.

      The script uses children’s story as the mold then bases on the aboriginal myth and legend as the structure to present the whole story by the mix of the realistic and imagination. Besides, the characters’ metal status is the core value of this script. In addition to the creation of the script, this dissertation uses the analysis of the theory as the creation’s fundamental. The script has four episodes divide into 10 screenings, and the estimated time of the performance would be around 90 minutes.
      The dissertation has two main parts, the chapter 1 of the first part is the introduction which has motivation, objective, research methods and the expected result. The chapter 2 of the first part is about the quotation of aboriginal dwarfs’ myth. The script is focus on the aboriginal dwarfs from Atayal, Saisiat and Thao to establish the whole story, so the aboriginal dwarfs story plays an important role in this script, and it is the reason that the writer spends a lot of time and attentions to research the reference and to do the analysis. The chapter 3 research method is for explanation of the content. Firstly, it illustrates the idea of combination of aboriginal literature and Dwarfs script from the aboriginal’s literature by word of mouth. Then it starts to explain the topic of this script which is about aboriginal, love, toleration and courage. Finally, performance skill has three components which are characters' personalities, actions and conflicts. It describes the building of main characters' personalities and then explain the conflicts of their feelings. Then, there is the analysis of the actions and motivations in every screenings of the characters with the conflicts reactions and music.
    Appears in Collections:[Department of Theatre Arts ] Thesis

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