沃恩．威廉斯及約翰．威廉斯低音號協奏曲演奏詮釋與分析

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Title:	沃恩．威廉斯及約翰．威廉斯低音號協奏曲演奏詮釋與分析
Authors:	柯閔中
Contributors:	音樂學系
Keywords:	拉弗．沃恩．威廉斯 Ralph Vaughan Williams 約翰．威廉斯 John Williams 低音號協奏曲 Tuba Concerto
Date:	2012
Issue Date:	2012-10-30 11:56:38 (UTC+8)
Abstract:	拉弗．沃恩．威廉斯（Ralph Vaughan Williams, 1872-1958，以下簡稱沃恩．威廉斯），是二十世紀初英國著名的國民樂派作曲家，而約翰．湯納．威廉斯（John Towner Williams, 1932- ，以下簡稱約翰．威廉斯），則是美國現代著名的電影配樂大師。兩位二十世紀前後期的作曲家，各自使用自己擅長的作曲手法，不約而同的創作了低音號協奏曲，其中沃恩．威廉斯更是音樂史上第一位為低音號量身打造協奏曲的作曲家，因此其重要性可見一般。筆者將本文分為四個章節來探討並分析沃恩．威廉斯及約翰．威廉斯低音號協奏曲。第一章說明研究目的動機及方法範疇；第二章及第三章則分別探討沃恩．威廉斯及約翰．威廉斯低音號協奏曲其各自的作曲家生平、創作背景、樂曲結構分析及演奏之探討，並提出個人詮釋見解；第四章則為本論文提出總結結論。 English composer Ralph Vaughan Williams（1872-1958）, an important nationalism composer in early 20th century, and American composer John Williams（1932- ）, a famous film scores composer in the modern age, two composers from early and late 20th century, both coincidentally wrote their own tuba concerto using their respective specialized composition techniques. Amongst the two, Vaughan Williams happens to be the first tuba concerto composer in music history. This dissertation consists of four chapters. The first chapter discusses research motive and methodology. The second and third chapters analyze the biographies, backgrounds as composers, structures of compositions, and performance techniques of Ralph Vaughan Williams and John Williams respectively. The final chapter summarizes main points in the dissertation and also brings them to a conclusion.
Appears in Collections:	[Department of Music ] Thesis

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