| 摘要: | 本篇論文為研究李斯特的原創曲與改編曲，並以五首音樂會曲目為例，內容將原創曲與改編曲歸類為兩部份，第一部分為三首原創曲：《巡禮之年:佩脫拉克十四行詩第一百零四首》、《第一號敘事曲》及《三首演奏會練習曲第二首》；第二部分則為另外兩首改編曲：《紡織車旁的葛麗卿》及《弄臣模擬曲》為主題，探討李斯特的原創曲與改編曲。
全論文共分五個章節，第一章為緒論。
第二章介紹李斯特的生平與鋼琴作品，生平廣泛描述他從年幼時代巡迴表演到晚年定居於羅馬的發展，並將李斯特重要的鋼琴作品分為原創曲與改編曲，進而了解他在原創曲種上顯著的多元化，及將其改編曲細分為忠於原著或模擬曲。
第三章將探討筆者前述李斯特五首鋼琴作品的創作背景與風格，敘述李斯特創作此五首鋼琴作品的主要原因。
第四章為分析及以筆者詮釋的觀點為主軸，分析其調性結構，討論原創曲或改編曲在彈奏上的技巧，並在練習方法上給予建議。
第五章歸納統整本論文重點並且做結論。
This thesis focuses on Franz Liszt’s piano works between original compositions and transcriptions. The content includes three original compositions and two transcriptions. Original compositions are” Sonetto 104 del Petrarca”, “Ballade No.1” and” Trois etudes de concert no.2”. Transcriptions are “Gretchen am spinnrade” and “Rigoletto paraphrase”.
This thesis covering five chapters and with exception to the introduction on
chapter one and the conclusion on chapter five, the research could be divided into three chapters.
Chapter two introduces Liszt’s Life and piano works. Depict his childhood on Europe tourism to settle down in Weimer . To research his alteration on music his style.
Chapter three discusses the composing technique of original compositions and transcriptions. Compare with the differences and similarities between these two techniques of composition.
Chapter four discusses the interpretation and perfecting skills of original compositions and transcriptions. Demonstrate how to practice and convey the ideas of music.
Chapter five would be the summary of the entire thesis. |
