文化大學機構典藏 CCUR:Item 987654321/23507
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    题名: 論繪畫創作的樸拙性語彙-以莫朗迪為例
    作者: 伍紹煒
    贡献者: 美術學系
    关键词: 繪畫
    Painting
    莫朗迪
    Morandi
    色彩
    color
    日期: 2012
    上传时间: 2012-10-30 09:03:46 (UTC+8)
    摘要: 摘 要
    馬內（Manet 1832-1883）說：「實物並不存在，我手畫我見」 ，這證明了，藝術的表達，還是要回到藝術家自身所持的畫筆。藝術是圖案和美感的塑造與呈現，藝術亦可說是一種表達方式，可表現出藝術家個人的心中情緒或創作心境。筆者在自我創作上選用具象油畫的繪畫形式，內容則藉由人與動物來表達自我的情感與思維。本論文的架構共可分為如下的幾個章節：
    第一章：緒論，敘述筆者的研究動機，目的、範圍、方法與限制。
    第二章：莫朗迪（Giorgio Morandi，1890-1964）靜物繪畫的學理基礎之研究，此章分為兩節：第一節，莫朗迪的靜物繪畫語彙之探討，其中亦包括了時代背景和生平簡介的概述。第二節，介紹莫朗迪的繪畫色系之運用。
    第三章 : 自我創作理念的詮釋與實際操作。此章分為四節：第一節，為創作理念之淵源，主要在於敘述筆者受莫朗迪繪畫風格之影響。第二節，自我創作之實驗與創造，筆者實驗運用特殊技法創作，第三節為自我創作理念的實踐。從靜觀、構思、到開創的創作步驟之簡述。
    第四章：作品解析，針對筆者的作品作一仔細地分析和探討，本章為筆者的創作自述，及創作論述的延伸，內容共分為五大主題，依各個畫面所要傳達的訊息與內容作更詳細的介紹。
    第五章：結論，省思與展望的敘述，透過論文的撰寫與整理後，期望制定下一階段的創作目標與方向。
    關鍵辭：繪畫、莫朗迪、色彩

    Abstract

    Manet said: "The real object does not exist. I use my hand to help pain what I see," which proves that the artistic expression still has to go back to the brush of the artist's own holdings. The art is also the presentation of the patterns and beauty. Art can also be a form of expression and demonstrate the hearts of the emotional or creative state of mind of the individual artists. I selected some self-creative works in the form of the figurative painting between people and animals to express their own emotions and thinking. The thesis can be divided into several chapters as follows:
    Chapter 1: The Introduction of the Author's Motives, Purpose, Scope, Methods and Limitations.
    Chapter 2: The Study of Morandi’s Still Life Painting of the Theoretical Basis. This chapter is divided into two sections: first, Morandi still life painting vocabulary of, which also includes an overview of the historical background and biographies. Section II, describes the use of the Morandi the painting color.
    Chapter 3: The Interpretation of the Concept of Self-Creation and the Actual Operation. This chapter is divided into four sections: Section I, for the creative concept of the origin, I am influenced by Morandi’s painting style. In Section II, for the experiment of self-creation and creativity, I use special techniques, of creation in the experiment. Section III is the practice of self-creational idea: the outline of the contemplation, the thinking process, and the creative steps.
    Chapter 4: Compositions for the author's works, a careful analysis and discussion of this chapter, the author's artist statement, and an extension of the creative discourse. The content is divided into five themes, according to each picture to convey the message and content in detail.
    Chapter 5: The Conclusion, Reflections and Prospect narrative through the thesis writing and putting these materials, we expect to develop the next stage of the creation of goals and direction.

    Key Words: Painting, Morandi, color
    显示于类别:[美術學系所] 博碩士論文

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