死亡與女性意象之探討-以愛倫坡、波特萊爾、白朗寧及丁尼生數篇作品為例

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題名:	死亡與女性意象之探討-以愛倫坡、波特萊爾、白朗寧及丁尼生數篇作品為例
作者:	孫瑩珊
貢獻者:	法國語文學系
關鍵詞:	死亡 death 女性意象 female images 愛倫坡 Poe 波特萊爾 Baudelaire 白朗寧 Browning 丁尼生 Tennyson
日期:	2012
上傳時間:	2012-10-18 11:53:24 (UTC+8)
摘要:	本論文擬探討死亡的主題藉由女性的意象呈現於在十九世紀四位作者的作品中。論文由四個部分依序討論：包括美國小說家-愛倫坡，法國詩人-波特萊爾，和維多利亞時期英國詩人-白朗寧及丁尼生。研究觸角包含此時期的文學作品中死亡議題和女人之間的關係。論文以三個不同國籍的作家及其作品為例，探討身處於不同社會背景的作家其作品風格各自呈現的特有風貌，並據此延伸論文的研究視角。儘管作品主題軸線一致，但每個作者仍以獨特的文筆與視野，各自詮釋闡述對死亡的體悟。死亡的主題在這些作家的勾勒下顯現出浪漫、具象徵意涵的多元樣貌。我們發現邪惡一步步將作家推向死亡，彷彿死亡的驅力緊密地撲向生的本能。在研究的作品中，我們伴隨愛倫坡觀察屍體的變形，細窺波特萊爾描繪的腐屍，欣賞白朗寧的仕女圖，悼念丁尼生為愛情與藝術犧牲的女性。隨處，有謀殺情人的罪犯，渴望將女性之死昇華為不朽傳奇的藝術家；隨處，有自我折磨的藝術家，視貌美女子之死為永恆的消逝。根據佛洛伊德的論述，我們逐步發現這些作者及男性角色的窺淫癖、戀物癖、施虐受虐狂以及戀屍癖。我們更深刻體悟進而試圖剖析作者在創作中所營造出的陰沉、嚴峻、憂鬱和病態的氛圍。詩人沉溺在充滿蠱惑的死亡氛圍中，將人性的邪惡牽引至具犯罪企圖的愛情意象上。作者皆以不同的表達方式呈現死亡超凡絕塵之美，時而赤貧、時而崇高。本文研究橫向剖析四位及其代表作品，探索這些藝術家的想像世界，據此探究死亡和女性神秘的關聯。 This thesis seeks to explore the theme of death presented through female images as displayed in the four authors of the nineteenth century. In particular, the relationship between death and woman in this period is examined. This work is divided into four parts, to cover each of the four writers: an American novelist, a French poet and two British poets in the Victorian period. It addresses four authors of three different nationalities, in different social contexts, and with different poetic styles. Rather than stick to a single author, this parallel examination allows us to broaden the research perspective. Despite the similarity of theme, that of death, each author retains his own style, and his sensitivity toward it. The common theme of death in these authors is more or less romantic, symbolic. They share an interest in the death of woman that is in part of fantasy and aesthetic. We find in these writers certain perversities that push them further to death, as if there were a life instinct closely linked to the death drive. In the works studied, we observe the metamorphosis of the corpse in the writings of Poe, Baudelaire’s description of carrion, the portrait of the deceased in Browning, and the victim of love and art in Tennyson’s work. On one hand, there are homicidal lovers, artists eager to magnify woman into words, and to sublimate death. On the other hand, these are self-tormenting artists who grasp the woman as death, and represent her death as eternity, spirituality. We discover in these authors, among the male characters of these authors, voyeurism, fetishism, sadism-masochism, as well as necrophilia. The authors maintain a gloomy, grim, cadaverous atmosphere. It is this fantastic climate that crystallizes the charm of these works and subtlely attracts the readers. The four writers or poets set off in a game of seduction and attraction by staging the crimes of love, perverse beings and mysterious creatures. They also share a commitment to play rhetorical games. This thesis will identify the various expressions by which each of the authors express an aesthetic of death that encompasses both the sordid and the sublime. From work to work, writer to writer, throughout this paper, we undertake a series of exegeses that explore the richness of the imaginary worlds of these artists, and excavate a complex consistency therein.
顯示於類別:	[法文系] 博碩士論文

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