論龍應台知性散文的書寫策略

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Title:	論龍應台知性散文的書寫策略
Authors:	張美足
Contributors:	中國文化大學
Keywords:	知性散文標題排比比喻
Date:	2005-05-01
Issue Date:	2012-03-22 09:51:37 (UTC+8)
Abstract:	八○年代在台灣掀起「龍捲風」的龍應台，為文向來以氣勢磅薄、思路清晰、直指時弊著稱，一掃女作家予人的刻板印象－娓婉有餘析辯不足。就因如此，讀者、評者往往只著重她陽剛質樸的直陳，認定她文章的可取處乃「質」勝於「文」的表現，甚至是獲利於時代轉折的讀者效應，而非基於作者個人文字底蘊的展現。其實「質」之所以有價值必需根植於相當優質的「文」，否則通篇文章只合當一時的道德宣導或意氣宣洩而已，無甚美學價值。龍的文章在台灣已風行快二十年，自可證明它本身並非只是剛好「解嚴」前與後的幸運發聲，而是有它存在的藝術價值。本論文就針對龍應台1985到2000年的知性散文探討她著力深沉的修辭功夫，說明老嫗皆懂的文字並非作者用字的有限，而是作者能用有限的文字創造無限的寓意與象徵。龍應台的文字有她自成一格的修辭規律，以下就探討她在擬題、排比與比喻所常用的策略。 Most critics' impression and evaluation of Long Ying-Tai's intellectual prose usually focus on her powerful social criticism, convincing argument and sincere discourse which characterize her as a unique writer different from most of her counterparts. The reading public generally regards her as a poignant social and cultural critic but not a woman writer of rhetoric excellence. In fact when we approach her work, our chief concern should lie not only in content but also in form, especially the rhetorical skill. This paper analyzes her skill of writing strategy in prose from 1985-2000 as reflected in her choices of topic title, usage of parallelism and figures of speech.
Relation:	華岡文科學報 27期 P.103-146
Appears in Collections:	[College of Libral Arts] Hwa Kang journal of humanities

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