Abstract: | 本文主要藉著法國現象學美學家、米蓋爾•杜夫海納《審美經驗現象學》書中關於審美之覺活動的描述,探索審美認識究竟是如何的一種活動,而後以此為理解的背景,闡發:《莊子》「聽之以氣」是一種身體化的感性認識。
This paper, according Dufrenn's Phenomenology of Aesthetic Perception, attempts to inquire how the aesthetic feeling works and interpret that "Listening through chi" in Chuang Tzu is a mode of Body knowing. |