當代台灣雜技表演型態之研究

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题名:	當代台灣雜技表演型態之研究
作者:	溫哲瑋
贡献者:	舞蹈學系
关键词:	雜技特技馬戲雜技創作雜技表演型態
日期:	2010
上传时间:	2011-11-28 13:02:36 (UTC+8)
摘要:	雜技，在臺灣種類繁雜，名稱不一，基本上以高難度技巧為表現核心，運用藝術表現形式，結合現代劇場元素，呈現驚險、奇巧的特殊美感。本研究透過文獻探討、親身體驗、影像回顧、作品分析與訪談等，探討近五十年來臺灣雜技主要的表演型態、內容與發展，並且嘗試從劇場藝術的觀點，重新建構雜技之創作理念、技巧觀與表演型態。研究結果發現，一、臺灣雜技經歷街頭撂地「複合式」表演，以及酒店、夜總會「娛樂晚會」演出形式，逐漸朝向綜合性表演藝術形式發展。隨著不同時期的社會需求與劇場審美觀的改變，近五十年雜技的表演型態大致可類分為：純技巧、綜藝表演與劇場藝術等三種型態。二、分析近十年三部臺灣雜技經典作品中發現，其創作發展走向為：1.跨領域創作；2.增加舞蹈元素之應用；3.以戲劇敘事作為表現形式。三、以上述這些發現為基石，研究者嘗試創作多元形式之雜技表演。這些作品著重於總體藝術創作，運用現代劇場藝術，跨界結合創作手法，同時將「動作技巧」轉化為「肢體藝術」，提昇至表演藝術層次。作品內容除了兼具文化性、民族性、通俗性和娛樂價值外，力求清楚完整表達創作之主題與精神。希望此研究成果具有拋磚引玉之功能，可作為雜技藝術工作者發展、改革與創新的參考。 The species of acrobatic is varied in Taiwan. The core　performance of acrobatic is entertaining, expressive and highly skillful. The aims of this research are bath, to explore the historical background of acrobatic performance in Taiwan, and based on the study of contemporary theatrical notions to recreate a new style acrobatic performance. The study found that firstly, in last fifty years the Taiwan's acrobatics could take place in theater, hotel, nightclub, and as well as on street. Most of them were as a sort of "entertainment show", emphasized on interesting, skillful and entertainning.Secondly, in the last decade the forms of acrobatic performance were changing rapidly. The reasons of changing were caused by new theatrical aesthetics, new technology and a new performing form and constant. Thirdly, based on the results of this study the researcher trying to found his own concepts of acrobatic art. In which there were the theaterical elements, rhythmic body skills and different performing art forms integrated in artworks.The respective of this study is trying to develop a new acrobatic art form, in which the innovative techniques, dramatic plot, expressive　gestures and cultural heritage could be integrated. Hopefully, these explorations could arouse the young generation to create their own stylistic acrobatic art. In this case the aims of this study are valuable.
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