文化大學機構典藏 CCUR:Item 987654321/20445
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    題名: 論繪畫作品中之象徵性符號涵義-以克林姆之作品為例
    作者: 羅立凱
    貢獻者: 美術學系
    關鍵詞: 符號
    象徵
    日期: 2010
    上傳時間: 2011-11-25 16:28:56 (UTC+8)
    摘要: 象徵符號始終是人類文化的重要一環，在人類有文字之前，象徵符號就伴隨著語言以及圖像出現，並被應用到各個藝術文化的領域。然而其背後總是充滿著各種典故以及些許迷信和神秘色彩。自法國詩人波特萊爾以象徵做為主要表現的手法以來，畫壇亦隨之催生象徵主義，使得象徵性的符號以及物件在繪畫上之應用，達到了一時的高峰。
    具有古典文學以及神話素養的古斯塔夫‧克林姆亦深受象徵主義的影響，在其一連串的畫作中，應用了各式各樣的象徵性符號物件。雖然這些神秘氣息的符號大都做為陪襯地位的裝飾，但不可忽視它們所代表的內在意義，若充分地瞭解這些象徵性符號意義，將有助於理解畫家在創作中所欲表達的理念。
    本文將探討克林姆畫作中的象徵性符號所可能代表的意義，共分兩個部分來做分析：一為畫作中所出現的寫實物件如蛇、龍、魚、花等。另一部分為畫作中所出現的抽象物件如十字架、眼睛、聖甲蟲等。筆者試圖解析這些符號的含意，藉以理解象徵符號背後所隱藏的典故，以及文化背景所造成意義上的差別性。最後筆者將可以自如地運用符號拓展出自我創作的表現技巧和形式，以及藝術領域的意象深度和廣度。

    Symbolic symbol is important in humanity. Before human had written words, symbolic symbol came up with language and image, and used in different artistic field. However there are lots of story and some superstitious, mysterious colors. Since French poet Charles Pierre Baudelaire (1821-1867) had used symbolic symbol for his main expression, symbolism was first appear in the drawing world. It made the use of symbolic symbol in drawing reached a peak.
    Gustav Klimt (1862-1918), who has classical and mythological accomplishment, deeply affected by the symbolism. In many of his drawing, he used lots of symbolic objects. Although these mystic symbol were just acted as a foil, we cannot neglect their internal meaning. If we understood the meaning of the symbolic symbol, it may help us to get the artist’s ideas in their works.
    This essay will explore the meaning of the symbolic symbol in Klimt’s works. It will divided into two parts in order to analyze. The first part is the realistic objects in the works like snake, dragon, fish, flower, etc. The second part is abstract objects like cross, eye, scarab, etc. The author try to analyze the meaning of these symbols so as to understanding the allusion behind them, and the differences of meanings under the different culture backgrounds. The author’s purpose is can freely use symbols to express the creativity and techniques in self-creation, and develop the depth and range of imagism in the art field.
    顯示於類別:[美術學系所] 博碩士論文

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