舒伯特第十三號鋼琴奏鳴曲D.664之探討

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Title:	舒伯特第十三號鋼琴奏鳴曲D.664之探討
Authors:	李宜儒
Contributors:	音樂學系
Keywords:	舒伯特鋼琴奏鳴曲 A大調鋼琴奏鳴曲
Date:	2010
Issue Date:	2011-11-07 13:54:04 (UTC+8)
Abstract:	舒伯特(1797-1828)出生於古典與浪漫樂派之重疊時期，卻能在這樣的背景下發展出屬於自己特有的風格，而他的鋼琴奏鳴曲也有著許多獨特的創作手法，格外具有研究價值。本文旨在探討舒伯特的鋼琴作品《A大調鋼琴奏鳴曲》。第一章為緒論本論文的研究方向、動機與目的；第二章研究舒伯特的生平與音樂風格，因作曲家在其作品中所呈現出的創作思想與風格，和他所處的時代及生平有著密不可分的關係，也對舒伯特的其他作品亦有概略性的介紹；第三章說明《A大調鋼琴奏鳴曲》的創作背景、創作特色，以圖表來顯示各樂章段落樂曲的結構，並從和聲、節奏、旋律等方面來分析作曲的手法；第四章為演奏詮釋部分；第五章為結論。筆者希望在舒伯特A大調第十三號鋼琴奏鳴曲的研究上，藉此提供讀者對於舒伯特之鋼琴奏鳴曲了解其重要性與獨特性，並對筆者本身的演奏詮釋有更深入的探討。 Franz Schubert (1797-1828) was born in overlapping periods of classical and romantic music, but grow in such a context developed his own unique style, and his Piano Sonata also has many unique writing techniques, particularly with research value. This thesis is a study of the “A Major Piano Sonata,” by Franz Schubert(1797-1828). Chapter one the introduction, state research motive and purpose. Chapter two probe into Schubert’s life, works style. Chapter three consists of of two section on the historical background of Schbert’s“A Major Piano Sonata,”. Chapter four is includes an analysis and an interpretation of the “A Major Piano Sonata.” Chapter five is concludes this thesis. Hope that Schubert's “A Major Piano Sonata”research, to provide the readers to understand its importance and uniqueness of Schubert's Piano Sonata, and interpretation of play has a more in-depth discussion of the author itself.
Appears in Collections:	[Department of Music ] Thesis

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