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    請使用永久網址來引用或連結此文件: https://irlib.pccu.edu.tw/handle/987654321/20191


    題名: 論風景畫作的「水」繪畫元素之表現技法與形式
    作者: 楊月琴
    貢獻者: 藝術研究所美術組碩士在職專班
    關鍵詞: 
    水景畫
    風景畫
    日期: 2010
    上傳時間: 2011-11-02 16:22:22 (UTC+8)
    摘要:   亙古以來,水與人類生活息息相關著,人們深受水的吸引;享受水邊生活的樂趣;以及陶醉在水邊的自然景色中,「水」所蘊含的美感與意境氛圍,激發出無數畫家的豐富創作靈感。變化萬千的「水」形態,擁有一股神秘的氣息,使得筆者的自我繪畫創作彷彿注入了源源的活水,進而充滿了生命力。也因而筆者特以「水」作為繪畫創作論述的的研究主題,至於探討的內容則明列如下:
      第二章,針對「水」的形態、物理特性、水的顏色變化與其本身所富有的精神意涵作一仔細地探討。第三章,詳述「水」繪畫元素在繪畫史上的發展。第四章,以西洋繪畫史上擅長畫水的兩位大師泰納(Turner, 1775-1851)、莫內(Monet , 1840-1926)為例,分別比較兩者的水景繪畫特色與其所帶出的繪畫影響力。第五章,探討「水」在繪畫上的作用,以及分析水的繪畫表現技法。第六章,自我繪畫創作理念的呈現與個人作品的解析。第七章,總結創作的體悟與省思。

      Since ancient times, water and human lives were closely related. People attracted by water, enjoyed the joy of living by the waterside and revel of the natural landscape with water scenery. Waterscape contains a wealth beauty and artistic conception, inspiring imaginations and the creations of millions artists. Its ever-changing form, invisible mysteries and illusions bring out abundant sources for author's creative works. Therefore the author used waterscape as the theme of this research. Discussions as follows:
      Chapter two explores the shape, physical characteristics, the color change at diffent forms and its spiritual implications of water.
      The third chapter discussed the development of the waterscape painting in history.
      The fourth chapter traces back to the historic masters who were clever at making the use of water elements on their works like Turner (1775-1851) and Monet (1840-1926). Moreover, compared their lives, characteristics and influences.
      Chapter five indicates how to use the image of water to model the effect on painting and analyzes the presentation techniques on Turner and Monet's works
      Chapter six is the analysis of the author 's works and thought .
      Chapter seven is the conclusion of the thesis.
    顯示於類別:[美術學系所] 博碩士論文

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