| 摘要: | 首先，本論文聚焦於庫爾貝那些帶有浪漫主義風格的自畫像。他為自己畫過許多幅不同形象的自畫像。在這些自畫像裡，不但看見了藝術家無可救藥的自戀癖，而且也展現了庫爾貝，那種充滿活力、樂觀精神、高傲自負以及勇於自我挑戰的獨特個性。這一些理念與尼采的「超人」有異曲同工之妙。
第二，在一八五零年到一八六零年這段期間，庫爾貝創作多幅情色畫作。在他的裸女畫作裡，所表出來的肉慾感以及物質性，是西方藝術史上前所未見的。這些大膽粗俗、背德的作品，讓原本和庫爾貝友好的一些寫實主義者，紛紛的背棄他，甚至轉過頭來批評他。庫爾貝到底是在何種動機的促使下，創作出這一些色情裸女畫作？這樣重大的轉變與其自戀性格相關。最終讓他由原先的「寫實主義者」走向「庫爾貝主義者」。
First, this thesis focuses on Courbet’s romantic self-portraits . He depicted many different kinds of self-portraits for himself. These portraits not only show us his incurable narcissism but also represent his unique personalityes - energy, optimism, arrogance, self-conceit, and self-challenging. These conceptions are similar to those in Nietzsche’s “Overman”.
The second, during the period from 1850’s to 1860’s, Courbet created some erotic paintings. Most of them are characterizes by carnality and materiality that are unprecedented in the Western art. The realists who used to have a close friendship with him, accused and criticized him for his rebelling against realism, as he was doing those bold and vulgar paintings. What was the motive that provoked Courbet to create erotic female nudity paintings? This major transformation resulted from his narcissism to the extent that, he became a “courbetist”. |
