文化大學機構典藏 CCUR:Item 987654321/20033
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    题名: 台灣眷村建物風貌之水墨表現
    作者: 廖映辰
    贡献者: 美術學系
    关键词: 眷村
    水墨創作
    繪畫
    記錄
    日期: 2010
    上传时间: 2011-10-31 13:21:33 (UTC+8)
    摘要: 台灣特有的人文景觀－眷村，是民國38年前後國民政府緊急遷台後的臨時產物，倉皇搭建而起的建築，在用料與建構上並不是特別地穩固，影響到日後的公共安全和市容，因此面臨拆遷了與改建的命運，眷村建物正逐漸地消逝中，近幾年來眷村居民及文史工作者的努力，開始進行保護眷村文化的活動，但只有少數幾座眷村得以被認定為珍貴的歷史古蹟，可以有幸得以流存下來。隨著光陰的流逝，眷村剩下的數量越來越少，大都已經荒廢及殘破不堪，現今只能用影像和圖像記錄這特殊文化。故本文主要針對筆者的眷村建物的水墨創作，做出深入的分析與研究，全文共分為五個章節，各章要點如下：
    第一章、緒論 : 敘述筆者的研究動機，目的、範圍、方法與限制。
    第二章、眷村的文獻探討，此章分為四節，第一節為探討眷村的起源。第二節為描述眷村的形式。第三節為介紹眷村的形態。第四節為分類眷村的景觀特色。
    第三章、以眷村為主題的繪畫創作，此章分為兩節，第一節為介紹台灣畫壇上的眷村繪畫，內容為蘇旺伸的《自治新村》與李明則的《明德新村》。第二節為分析學術界發表過的眷村繪畫，將畫作與實際眷村照片相互對照、作品比較。
    第四章、眷村建物之創作理念與實踐，此章分為三節，第一節為筆者的眷村建物創作理念分析。第二節為筆者的眷村建物創作理念實踐。第三節為筆者的作品內容詮釋。
    第五章、結論

    Military dependents’ villages- special culture landscapes of Taiwan, were built by the government when moved to Taiwan in emergence after 1949. Those were built in a hurry; therefore, those were not especially stable in terms of material and structural which would affect the public safety and the appearance of the city. The military dependents’ villages were facing the fate of pull down and rebuild and were vanishing. In recent years, the people in the military dependents’ village and historical and human scholars put efforts to protect the culture. Only a few of the military dependents’ villages were determined as precious historical remains. As time goes by, the numbers of the villages were less and less and most of those were destroyed and ruined. Now, we can only use images and pictures to record this special culture.
    　　This article aims on the ink paintings of the author on the military dependents’ villages and makes deepen analysis and research. There are five chapters in this article; the main points of each chapter are described as follow:
    Chapter 1: Introduction. This chapter describes the author’s research motivation, purpose, scope, methods, and limits.
    Chapter 2: The literature of the military dependents’ village. There are four sections in this chapter. First section discusses the origin of the military dependents’ villages. Second section describes the forms of the villages. The types of the villages are introduced in section three. And section four talks about the feature of the village.
    Chapter 3: The paintings of the military dependents’ village. The first section of the two sections introduces the paintings of the military dependents’ villages in the field of paintings, “Self-governed Village” by Su, Wang-Shen and “Ming-De Village” by Lee, Ming-Ze. The second section analysis the paintings of the military dependents’ villages published in academic, compare and contrast the paintings with the actual photos.
    Chapter 4: The creation ideal and practice of the buildings of the military dependents’ villages. There are three sections in this chapter. The first section is the analysis of the author’s ideal of creating the military dependents’ village. The second section is the practice of the creation ideal. The third chapter is the interpretation of the author’s work.
    Chapter 5: Conclusion.
    显示于类别:[美術學系所] 博碩士論文

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