「草」的連動性－以擎天崗草原為創作場域

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Title:	「草」的連動性－以擎天崗草原為創作場域
Authors:	邱冠華
Contributors:	美術學系
Keywords:	草草原擎天崗草原山水畫
Date:	2010
Issue Date:	2011-10-31 12:19:30 (UTC+8)
Abstract:	此創作研究以地域性中的「草原」生態背景作主題式研究，說明為何選擇草作為對象，研究其動機與目的，整理歸納草的研究範圍和方法。首先在擎天崗大自然生態中所生存之各種植被的生成現象做分析探討，藉由草原景觀與地理的研究將繪畫藝術與大氣科學做連結。並提出過去畫家對於坡草的詮釋與表現，來說明繪畫中草、坡草、草原表現的方式與內容，顯現中國歷代中關於筆墨的變化。科技的進步除了帶來視點高低的改變，也影響我們所觀看草的角度、人文上的變遷與心境上的轉變；以山水審美的角度「觀草」的形式表現與「說草」的精神內容，表達對象物「草」的美感，藉由經驗將筆墨中的「草」，轉換成自身的繪畫語言，以表達內心藝術觀感對於外在客觀環境之看法。這系列草原之繪畫創作是在自我對藝術表現上的一個新的嘗試與體現，面對擺盪遊移的線體，如何掌握其連動的整體效果，是這篇創作研究所致力的方向。 This study is themed on the grassland ecological environment of a particular region. It expounds on the factors behind the selection of grass as the study subject, as well as the motives and objectives of the study. It also explains the scope of the study and methods employed to compile data for the study of grass. First, the study conducted an analytical study of the phenomena involved in the growth and development of the diversity of vegetation in the Chingtienkang Grassland natural ecology. Through the grassland landscape and geographical analysis, illustrations were presented to connect art with atmospheric science. The study also presented the artistic interpretations and works of past landscape artists depicting slope grass to explain the different techniques employed and contents of works themed on grass, slope grass, and grassland. The compilation of works aimed to manifest the evolution of Chinese ink painting technique through the ages. Advances in technology not only changed heights in perspectives but also affected the angles from which we view grass, cultural evolution, and metamorphosis of sentiments. The study views grass portrayal styles and express the essence of grass through the aesthetic perspectives of landscape art to manifest the beauty of the theme object “grass”. Through the brush strokes of an experienced hand, ink expressions of grass turned the subject to a personal artistic language expressing the artist’s inner artistic impressions of an impartial environment. The series of grass paintings is a new venture and experience of mine in artistic expression. The ultimate objective of this artistic study is to grasp the overall connective effect of the lines of swaying and undulating grass.
Appears in Collections:	[Department of Fine Arts ] Thesis

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