| 摘要: | 《秦王點兵》、《滾核桃》、《黃河鼓韻》、《牛鬥虎》四首近年來台灣經常演出由王寶燦所創作的「絳州鼓樂」，透過資料蒐集分析、訪談，以及實地學習操作，了解王寶燦的創作動機與演奏理念。筆者以最接近原創者的意念加以分析詮釋，為將來演出者留下參考的依據。
第一章：緒論
第二章：王寶燦介紹，包含作品整理、演奏手法，演奏理念及特色。
第三章：「秦王點兵」作品詮釋與分析
第四章：「滾核桃」作品詮釋與分析
第五章：「黃河鼓韻」作品詮釋與分析
第六章：「牛鬥虎」作品詮釋與分析
第七章：結論
Abstract
The study is to understand Baocan Wang’s motive for creation and his performing philosophy regarding the four “Jiang-Zhou Drum Music” created by Baocan Wang - “Roll call of soldiers by the king of Qin”, “Rolling walnuts”, “The drum beats of Yellow River”, “Fight between the bull and the tiger”, which are frequently performed in recent years in Taiwan through data collection and analysis, interview and field learning and operation. The author further interprets and analyzes the ideas closest to original inventor, which regarded as a reference to future performers.
Chapter I: Introduction
Chapter II: Introduction of Baocan Wang; including art
works arrangement, performing skills, performing
philosophy and features
Chapter III: Interpretation and analysis of “Roll call of soldiers
by the king of Qin”
Chapter IV: Interpretation and analysis of “Rolling walnuts”
Chapter V: Interpretation and analysis of “The drum beats of
Yellow River”
Chapter VI: Interpretation and analysis of “Fight between the
bull and the tiger”
Chapter VII: Conclusions |
