人像美的具象與非具象之研究-張文宏塑像創作自述

文化大學機構典藏 CCUR > 藝術學院 > 美術學系所 > 博碩士論文 > Item 987654321/52464

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题名:	人像美的具象與非具象之研究-張文宏塑像創作自述 Research on the Aesthetics of Concrete and Non_Figurative Portraits Beauty－Wen-Hung Chang's Sculpture Creation Statement
作者:	張文宏
贡献者:	美術學系
关键词:	陶塑人像美海蝕石 pottery sculpture portrait beauty sea rock
日期:	2022
上传时间:	2023-06-13 09:31:34 (UTC+8)
摘要:	陶塑是我的興趣，藉由對「人像美」的研究，在創作過程中內心始終存在著一種求「真」的理想，透過泥土捏塑與火的淬煉得以實現。初期以傳統古裝人物的具象表現手法為基礎，追求表象的美感。經過審美觀點的洗禮再搭配調整自己心思了解人體解剖結構後，進入抽象形式並期許自己能實踐創作理想。在美學理論及中外藝術家的創作論述下，經過研究、探索物質世界的內在生命，實驗各種不同風格表現，以及簡化造型技法，期以突破框架而實踐創新。藝術創作本質是自由的，透過藝術意志，將人的感動與思維透過藝術創作之方式呈現。現代藝術多元而富變化，在經驗的累積中逐漸轉化為半具象到抽象的內在精神，產生出一種生命力量，藝術的內在精神才能得以實現。其中也融合海蝕石的自然變化意念，如作品《解衣磅礡》將人像實體空間抽離，代之以虛空空間「離形取神」的意象表現，打破實體雕塑概念，完成抽象形式的海蝕石系列作品，藉以提升陶塑「人像美」的生命感動力。 Pottery has always been my interest. Recently, I have been immersed in the research of "figure beauty", and realized the creative concept of seeking truth through the tempering of clay molding and fire.In the early stage of creation, it was mostly based on the concrete representations of traditional costume characters, pursuing only the beauty of appearance. In the campus, through the baptism of the aesthetic point of view, coupled with the human anatomical structure, adjust the mood into an abstract form and hope that I can practice my creative ideals. Based on aesthetic theories and the creation discourses of Chinese and foreign artists, after researching and exploring the inner life of the material world, experimenting with various styles of expression, and simplifying modeling techniques, it is hoped to break the framework and practice innovation. The essence of artistic creation is freedom. Through artistic will, people's touch and thinking are presented through artistic creation. Modern art is diverse and rich in changes, and gradually transformed into a semi-representative to abstract inner spirit in the accumulation of experience, generating a kind of life force, and the inner spirit of art can be realized. It also incorporates the concept of natural change of sea stones. For example, the work "Undressing the Majestic" separates the physical space of the portrait and replaces it with the image expression of the empty space "from the shape to the spirit", breaking the concept of physical sculpture and completing the abstract form of sea rock. A series of works to enhance the vitality of the pottery sculpture "Figure Beauty"
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