| 摘要: | 植物花卉長得絢爛又美麗，是眾多藝術們極為喜好的藝術創作題材，色彩繽紛豐富的植物，種類與形狀姿態極多，饒富幾何造型，再透過重複、延展等構成元素之下，組合成絢麗的圖案及視覺上的美感，促使花草植物圖像的藝術表現有著大自然符號的象徵性義意演化為自我創作時的獨特符號。
花草植物紋樣設計廣泛的應用於裝置藝術，是許多繪畫及工藝設計創作時最常選用的創作題材。東方的花草裝飾性紋樣往往以「吉祥」為寓意，用以表現人們的願望和理想。由於與生活習習相關，導致植物花卉設計大都運用於家具、家飾、服裝、織錦、陶瓷、皮雕和珠寶設計藝術創作領域。傳統圖紋不可諱地均深受歷史文化的影響，加上現今技術、社會環境、風氣、思想和美感等種種美學及哲學的融合，花卉紋樣設計隨著時代的風尚潮流，而有了線條、構圖、比例、色彩、題材與運用上的千變萬化之創作表現方式。
有鑑於此，筆者將以東、西方花草紋樣的演進和特色，以及剖析花草植物紋樣的不同形式創作手法及蘊涵意義，作為撰寫本論文的主軸，並使其內化為自我創作的題材及技法的應用。本文共計有五章：
第一章緒論：敘述研究動機與目的，以及研究的內容和方法。
第二章花草紋樣的演繹及其特色：探討花草紋樣的起源、不同時期的特色布在演繹過程中產生的設計影響及東、西方紋樣間的相互關聯性。
第三章花草紋樣的應用：分析「新藝術流派」（Art Nouveau, 1880-1910）的花紋應用、唐草紋樣符號的運用及現代花草紋樣的設計手法。
第四章自我創作闡述：透過油畫、漆畫、押花植物畫、飾品等紋樣設計形式，來剖析自我創作上的內容、理念和設計方式。
第五章結論：展現研究創作成果並詮釋自我花卉設計的基本概念。
Plants and flowers are gorgeous and beautiful. They are subjects of the artistic creations that many artists are fond of a lot. Plants are colorful, and they also have a variety of shapes and postures, particularly including geometric shapes. Through applying constructing methods like repetitions and extensions, artists are able to combine different shapes of plants to form dazzling patterns and visual aesthetics that promote artistic exhibitions of flowers and plants images with symbolic meanings of the evolution from the representations of the nature into artists’ unique symbols in their self-creations.
Flowers and plants pattern designs are widely used in installation art. They are also the most commonly-used theme in many painting and craft design creations. Decorative patterns of oriental flowers and plants often have the meaning of "auspiciousness" to express people's wishes and ideals. As the expression is related to people’s daily habits, designs with flowers and plants are mostly used in the fields of furniture, furnishings, clothing, brocade, ceramics, leather carvings and jewelry design. Traditional patterns are unavoidably and deeply influenced by history and culture, and with the integration of various types of aesthetics and philosophies, inspired by current technology, social environment, atmosphere, ideas and sense of beauty, flower pattern designs now have lines, composition, proportion, color, subject matters and application of creative expression methods that are ever-changing.
In the view of the aforementioned aspects, the author of this article use the evolution and characteristics of Eastern and Western flower patterns, as well as the analysis of the different forms of creation techniques and implications of the patterns of flowers and plants, as the main theme of this essay and internalize them as the ideas for self-creations and applications for creation techniques. There are five chapters in this article:
Chapter One Introduction: describing the motivation and purpose of the research as well as the content and methods of the research.
Chapter Two: demonstrations and characteristics of flower patterns: discussing the origin of flower patterns, the characteristics of different eras, and the impact from the procedure of the demonstrations of flower designs and delving into the interrelationship between Eastern and Western patterns.
Chapter Three - Application of Flower Patterns: analyzing the pattern application of "Art Nouveau" (1880-1910), the application of Tang grass pattern and the design techniques of modern flower pattern.
Chapter Four - Elaboration of Self-Creations: Through oil painting, lacquer painting, pressed flower painting, cultural and creative concepts and other pattern design forms, analyzing the content, concept and design method of self-creations.
Chapter Five - Conclusion: presenting the results of the research and creation and interpreting the basic concepts of self-defined flower design. |
